"Concerto a 5 in D, Op.7, No.6 for Oboe, Strings and Continuo: 2. Adagio" by Tomaso Albinoni, Heinz Holliger, Hans Elhorst, Camerata Bern, Alexander van Wijnkoop was released on January 1, 2000. The duration of Concerto a 5 in D, Op.7, No.6 for Oboe, Strings and Continuo: 2. Adagio is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Concerto a 5 in D, Op.7, No.6 for Oboe, Strings and Continuo: 2. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 25 in Albinoni: Adagio & Concerti by Tomaso Albinoni, Hans-Martin Linde, Hans Elhorst, David Reichenberg, Heinz Holliger, Eduard Kaufmann, Lucerne Festival Strings, Rudolf Baumgartner, The English Concert, Trevor Pinnock, Collegium Musicum Zürich, Paul Sacher, Camerata Bern, Alexander van Wijnkoop. Concerto a 5 in D, Op.7, No.6 for Oboe, Strings and Continuo: 2. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto a 5 in D, Op.7, No.6 for Oboe, Strings and Continuo: 2. Adagio by Tomaso Albinoni, Heinz Holliger, Hans Elhorst, Camerata Bern, Alexander van Wijnkoop is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in C Major, Op. 2, "The Chaplet": III. Tempo di Menuetto | William Boyce, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 99 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Abdelazar Suite, Z. 570: II. Rondeau | Henry Purcell, Camerata Nordica, Terje Tonnesen | A Major | 0 | 11B | 84 BPM | ||
Concerto for two oboes in F Major, Op. 9 No. 3: II. Adagio | Tomaso Albinoni, Simon Standage, Collegium Musicum 90, Anthony Robson, Catherine Latham | D♭ Major | 2 | 3B | 124 BPM | ||
Après un rêve (Arr. by Söllscher) | Gabriel Fauré, Jian Wang, Göran Söllscher | F Minor | 1 | 4A | 100 BPM | ||
Concerto for 2 Oboes and String Orchestra in D Major, Op. 7 No. 8: I. Allegro | Tomaso Albinoni, I Solisti Di Perugia, Claudio Brizi, Thomas Indermühle, Jacques Tys, Rino Vernizzi, Frederico del Sordo | C Major | 2 | 8B | 114 BPM | ||
Concerto Grosso In G Minor, Op. 3, No. 2, RV 578: I. Adagio E Spiccato - Allegro | Antonio Vivaldi, Capella Istropolitana | D Minor | 3 | 7A | 126 BPM | ||
Oboe Concerto in C: 3. Siciliana | Domenico Cimarosa, Heinz Holliger, I Musici | A Minor | 1 | 8A | 84 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
Pergolesi: Stabat Mater: III. O quam tristis et afflicta | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 1 | 11A | 111 BPM |
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