"Verborgenheit" by Hugo Wolf, Ian Bostridge, Antonio Pappano was released on July 10, 2006. The duration of Verborgenheit is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Verborgenheit's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wolf: Lieder by Hugo Wolf, Ian Bostridge. The song's track number on the album is #10 out of 24 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Verborgenheit is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Verborgenheit by Hugo Wolf, Ian Bostridge, Antonio Pappano has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Verborgenheit being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Ariette: No. 5, Per pietà, bell'idol mio | Vincenzo Bellini, Jessica Pratt, Vincenzo Scalera | C Minor | 1 | 5A | 122 BPM | ||
Fauré: 2 Mélodies, Op. 1: No. 1, Le papillon et la fleur | Gabriel Fauré, Véronique Gens, Roger Vignoles | E♭ Minor | 1 | 2A | 123 BPM | ||
Petite messe solennelle: III. Kyrie. Kyrie eleison | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Francesco Corti, Cristiano Gaudio, Deniel Perer | A♭ Major | 1 | 4B | 121 BPM | ||
Liebeslieder-Walzer, Op. 52: No. 10, O wie sanft die Quelle sich | Johannes Brahms, RIAS Kammerchor, Justin Doyle, Angela Gassenhuber, Philip Mayers | C Major | 0 | 8B | 177 BPM | ||
Liebeslieder. Waltz for Vocals and Piano Four-Hands, Op. 52: No. 11, "Nein, es ist nicht auszukommen" | Johannes Brahms, Jürgen Meier, Friederike Haug, Chamber Choir Of Europe, Nicol Matt | C Minor | 3 | 5A | 155 BPM | ||
Debussy: Ariettes oubliées, CD 63b, L. 60: No. 1, C'est l'extase langoureuse (Second Version) | Claude Debussy, Sabine Devieilhe, Alexandre Tharaud | E Major | 0 | 12B | 169 BPM | ||
Beethoven: Fidelio, Op. 72: "Gott! Welch Dunkel hier!" - "In des Lebens" (Florestan) | Ludwig van Beethoven, Michael Spyres, Christophe Rousset, Les Talens Lyriques | F Minor | 1 | 4A | 102 BPM | ||
Mörike-Lieder: 2. Der Knabe und das Immlein | Hugo Wolf, Dietrich Fischer-Dieskau, Daniel Barenboim | F Major | 0 | 7B | 99 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 4, Schmerzen | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM | ||
Symphony No. 14, Op. 135: II. Malagueña | Dmitri Shostakovich, Asmik Grigorian, Orchestre Philharmonique de Radio France, Mikko Franck | C Major | 2 | 8B | 101 BPM |
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