"18 Miniatures for Violin and Piano: No. 5, Quasi recitando (Arr. Julian Milkis)" by Giya Kancheli, Polina Osetinskaya, Julian Milkis was released on October 21, 2022. The duration of 18 Miniatures for Violin and Piano: No. 5, Quasi recitando (Arr. Julian Milkis) is about 3 minutes long, at 3:10. Based on our data, "18 Miniatures for Violin and Piano: No. 5, Quasi recitando (Arr. Julian Milkis)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Giya Kancheli, Polina Osetinskaya, Julian Milkis's "Kancheli: Music for Film and Theatre for Clarinet and Piano" album is number 5 out of 20. On top of that, Russia appears to be the country where this track was created. Based on our statistics, 18 Miniatures for Violin and Piano: No. 5, Quasi recitando (Arr. Julian Milkis)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 18 Miniatures for Violin and Piano: No. 5, Quasi recitando (Arr. Julian Milkis) by Giya Kancheli, Polina Osetinskaya, Julian Milkis to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
ხანუმა | გია ყანჩელი, The Georgian Six | B♭ Major | 3 | 6B | 109 BPM | ||
Wasserklavier | David Arden | B♭ Minor | 0 | 3A | 79 BPM | ||
Prelude | William Alwyn, Ashley Wass | E Minor | 0 | 9A | 170 BPM | ||
Moonbeams | Leo Livens, Duncan Honeybourne | A Minor | 0 | 8A | 64 BPM | ||
Henry V: Henry V: Touch her soft lips and part | William Walton, The Cambridge Singers, Aurora Orchestra, John Rutter | C Major | 0 | 8B | 82 BPM | ||
Love's Labour's Lost, Op.28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 99 BPM | ||
3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra) | Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred Honeck | G Major | 0 | 9B | 103 BPM | ||
14 Romances, Op. 34/14: No. 14, Vocalise (Arr. For Cello & Piano by Alexander Shtrimer) | Sergei Rachmaninoff, Mikayel Hakhnazaryan, Lia Hakhnazaryan | E Minor | 1 | 9A | 105 BPM | ||
Dido and Aeneas, Z. 626 (Arr. for String Orchestra by Leopold Stokowski): When I Am Laid in Earth | Henry Purcell, United Strings of Europe, Julian Azkoul | G Minor | 0 | 6A | 80 BPM | ||
Exil (1994): 3. Zähle die Mandeln | Giya Kancheli, Maacha Deubner, Natalia Paschenitschnikova, Catrin Demenga, Ruth Killius, Rebecca Firth, Christian Sutter, Wladimir Jurowski | C Major | 0 | 8B | 102 BPM |
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