"An Easter Sequence: Communion (for the First Sunday after Easter)" by Kenneth Leighton, Benjamin Durrant, Gareth Jones, Christopher Robinson, Crispian Steele-Perkins, Christopher Whitton, Choir of St. John's College, Cambridge was released on March 1, 2004. With this song being about 5 minutes long, at 4:52, "An Easter Sequence: Communion (for the First Sunday after Easter)" by Kenneth Leighton, Benjamin Durrant, Gareth Jones, Christopher Robinson, Crispian Steele-Perkins, Christopher Whitton, Choir of St. John's College, Cambridge is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Kenneth Leighton's "Leighton: Easter Sequence (An) / Crucifixus Pro Nobis" album is number 7 out of 17. An Easter Sequence: Communion (for the First Sunday after Easter) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of An Easter Sequence: Communion (for the First Sunday after Easter) by Kenneth Leighton, Benjamin Durrant, Gareth Jones, Christopher Robinson, Crispian Steele-Perkins, Christopher Whitton, Choir of St. John's College, Cambridge to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Passing of the Year: No. 6. Adieu! farewell earth's bliss! | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | B♭ Minor | 0 | 3A | 82 BPM | ||
Requiem for counter-tenor, choir & organ: II. Dies Irae - III. Tuba mirum | George Lloyd, Jeffrey Makinson, The Exon Singers, Matthew Owens | D♭ Major | 2 | 3B | 86 BPM | ||
Emendemus in melius | Gabriel Gálvez, Sistine Chapel Choir, Massimo Palombella | E Minor | 2 | 9A | 97 BPM | ||
St. Matthew Passion, BWV 244, Pt. 1 (Excerpts): No. 15, Receive Me, My Redeemer [Arr. for Choir] | Johann Sebastian Bach, The Bach Choir, David Hill | D Major | 2 | 10B | 88 BPM | ||
Lille Almanak – Little Almanac 3 | Finn Mathiassen, Harald Herdal, Jens Peter Jacobsen, Musikstuderendes Kammerkor | G Minor | 0 | 6A | 75 BPM | ||
3 Shakespeare Choruses, Op. 39: No. 1. Over hill, over dale | Amy Beach, Jessica Petrus, Amanda Sidebottom, Derek Greten-Harrison, Heather Petrie, Etherea Vocal Ensemble | D Major | 1 | 10B | 99 BPM | ||
Four Songs of Love: II. Until the Daybreak | Sven-David Sandström, South Dakota Chorale, Brian A. Schmidt | A♭ Major | 0 | 4B | 137 BPM | ||
Uti vår hage | Hugo Alfvén, Simon Phipps, Swedish Chamber Choir | A Minor | 3 | 8A | 100 BPM | ||
Preces and Responses: Preces | Kenneth Leighton, Liverpool Cathedral Choir, David Poulter, Unknown Artist | D Major | 1 | 10B | 84 BPM | ||
Missa Ecce quam bonum: Osanna II | Jacob Clemens non Papa, The Brabant Ensemble, Stephen Rice | B♭ Minor | 1 | 3A | 95 BPM |
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