"Praetorius: Communion Motet: "Uns ist ein Kindlein heut geborn" - Musae Sioniae VI" by Michael Praetorius, Sarah Pendlebury, Hannelore Devaere, Paul McCreesh, Gabrieli was released on November 20, 2023. The duration of Praetorius: Communion Motet: "Uns ist ein Kindlein heut geborn" - Musae Sioniae VI is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Praetorius: Communion Motet: "Uns ist ein Kindlein heut geborn" - Musae Sioniae VI's duration is considered a little bit shorter than the average duration of a typical track. The song is number 35 out of 82 in Classical Music: Christmas by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Praetorius: Communion Motet: "Uns ist ein Kindlein heut geborn" - Musae Sioniae VI's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Praetorius: Communion Motet: "Uns ist ein Kindlein heut geborn" - Musae Sioniae VI by Michael Praetorius, Sarah Pendlebury, Hannelore Devaere, Paul McCreesh, Gabrieli is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 5/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Laudate Nomen | Christopher Tye, Voices of Ascension Chorus, Dennis Keene | G Major | 1 | 9B | 64 BPM | ||
Domine ad adjuvandum | Jacobus Gallus, Pro Musica, Szabó Dénes | E♭ Major | 1 | 5B | 136 BPM | ||
Le chant des oiseaux | Clément Janequin, Concert Clemens, Carsten Seyer-Hansen | B♭ Major | 2 | 6B | 78 BPM | ||
VII. - Almaine: The Fruit Of Love (Holborne) | Anthony Holborne, Hespèrion XXI, Jordi Savall | F Major | 2 | 7B | 92 BPM | ||
Terpsichore*: a. Courante b. Courante c. Courante | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | C Major | 0 | 8B | 108 BPM | ||
Greiner, Zancker, Schnöpfitzer | Piffaro | D Major | 1 | 10B | 102 BPM | ||
Trois chansons de Charles d'Orleans L. 92: I. Dieu! qu'il la fait bon regarder | Claude Debussy, Netherlands Chamber Choir | A♭ Minor | 1 | 1A | 78 BPM | ||
Captaine Digorie Piper his Galiard from Lachrimae, or Seaven Teares | John Dowland, Fretwork | F Minor | 1 | 4A | 85 BPM | ||
Ave Maria, from Songs of the Church | Sergei Rachmaninoff, Soli Deo Gloria Cantorum, Almeda Berkey (Director) | F Major | 0 | 7B | 106 BPM | ||
In Nomine, "Fantasia": Fantasia | William Mundy, The Rose Consort Of Viols | B Major | 0 | 1B | 115 BPM |