Michael Nyman made "Chasing Sheep Is Best Left To Shepherds - 2004 Digital Remaster" available on January 1, 2004. The duration of Chasing Sheep Is Best Left To Shepherds - 2004 Digital Remaster is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Chasing Sheep Is Best Left To Shepherds - 2004 Digital Remaster's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 7 in the song's album "The Draughtsman's Contract: Music From The Motion Picture". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. The popularity of Chasing Sheep Is Best Left To Shepherds - 2004 Digital Remaster is currently below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Chasing Sheep Is Best Left To Shepherds - 2004 Digital Remaster by Michael Nyman having a BPM of 203 with a half-time of 102 BPM and a double-time of 406 BPM, we would consider this track to have a Prestissimo (even faster than presto) tempo marking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pärt: Cantus in memory of Benjamin Britten | Arvo Pärt, Paavo Järvi, Estonian National Symphony Orchestra | F Major | 1 | 7B | 114 BPM | ||
Das Rheingold: Vorspiel | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | D Major | 0 | 10B | 78 BPM | ||
Symphony No. 9 in D Minor, Op. 125 "Choral": II. Molto vivace | Ludwig van Beethoven, Wiener Philharmoniker, Hans Schmidt-Isserstedt | D Minor | 2 | 7A | 118 BPM | ||
El Cant del Ocells | Pablo Casals | A Minor | 1 | 8A | 177 BPM | ||
Les Jours tristes - Instrumental | Yann Tiersen | G Minor | 3 | 6A | 100 BPM | ||
The Straight Story: Rose's Theme - From "The Straight Story" | Angelo Badalamenti | F Major | 1 | 7B | 119 BPM | ||
String Quintet No. 60 in C Major, Op. 30 No. 6, G. 324 "La musica notturna delle strade di Madrid": I. Il campane quando suonano l'Ave Maria | Luigi Boccherini, Eckart Runge, Cuarteto Casals | C Major | 1 | 8B | 103 BPM | ||
Prelude / The Murder / Finale - From "Psycho" | Bernard Herrmann | B Major | 0 | 1B | 131 BPM | ||
Concerto For Lute And Plucked Strings I. Moderato | Siefried Behrend & DZO Chamber Orchestra | C Major | 3 | 8B | 123 BPM | ||
L'Orfeo: Toccata | Claudio Monteverdi, Jordi Savall, Le Concert Des Nations | F♯ Minor | 3 | 11A | 129 BPM |
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