Adelbert von Chamisso, Frank Arnold made "Peter Schlemihls wundersame Reise, Kapitel 7" available on March 18, 2016. Peter Schlemihls wundersame Reise, Kapitel 7 is about six minutes long, preciously at 6:13, making this song fairly long compared to other songs. There are a total of 16 in the song's album "Peter Schlemihls wundersame Reise (Ungekürzte Lesung)". In this album, this song's track order is #7. Peter Schlemihls wundersame Reise, Kapitel 7 is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Peter Schlemihls wundersame Reise, Kapitel 7 by Adelbert von Chamisso, Frank Arnold having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rast | Nathalie Stutzmann, Inger Södergren, Franz Schubert | A Minor | 0 | 8A | 85 BPM | ||
Six Lieder, Op.13: 1. Ich stand in dunklen Träumen | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | E♭ Major | 0 | 5B | 68 BPM | ||
Four Last Songs, TrV 296 (Arr. for Piano and Soprano by Max Wolff): I. Frühling | Richard Strauss, Asmik Grigorian, Markus Hinterhäuser | E♭ Major | 0 | 5B | 69 BPM | ||
13 Gammalsvenska Wijsor: Du hiratans trost och lilia | Sigurd von Koch, Olle Persson, Bengt-Åke Lundin | F♯ Major | 0 | 2B | 92 BPM | ||
Missa Sanctae Ursulae, MH 546: Et incarnatus est (Soprano, Contralto, Tenor, Bass, Chorus) | Michael Haydn, Juliane Banse, Mechthild Bach, Gabriele Binder, Karl-Heinz Lampe, Joachim Gebhard, Munich Motet Choir, Munich Residence Orchestra, Hans Rudolf Zöbeley | B Major | 4 | 1B | 173 BPM | ||
Traumbild | Josephine Lang, Heidi Kommerell, Heike Hallaschka | F Major | 1 | 7B | 84 BPM | ||
Zigeunermelodien, Op. 55, B. 104 (Sung in German): No. 2. Ei, wie mein Triangel wunderherrlich lautet (Hark, how my triangle) | Antonín Dvořák, Martina Arroyo, Leonard Hokanson | F♯ Minor | 1 | 11A | 86 BPM | ||
Charpentier: Te Deum, H. 146: X. Dignare Domine | Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Dawn Upshaw, Kurt Moll | A Minor | 2 | 8A | 73 BPM | ||
Blarney Ballads: No. 1, The Grand Ould Man | Charles Villiers Stanford, Sharon Carty, Finghin Collins | F Minor | 1 | 4A | 79 BPM | ||
Violettes imperiales | Francis Lopez, Ana Maria Martinez, Prague Philharmonia, Steven Mercurio | G Major | 1 | 9B | 60 BPM |
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