"Iconic Legacies (First Ladies at the Smithsonian): No. 2, Mary Todd Lincoln [Abraham Lincoln's Hat]" by Jake Heggie, Jamie Barton was released on September 18, 2020. With this song being about 5 minutes long, at 4:31, "Iconic Legacies (First Ladies at the Smithsonian): No. 2, Mary Todd Lincoln [Abraham Lincoln's Hat]" by Jake Heggie, Jamie Barton is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Jake Heggie, Jamie Barton, Matt Haimovitz's "Jake Heggie: Unexpected Shadows" album is number 7 out of 16. Iconic Legacies (First Ladies at the Smithsonian): No. 2, Mary Todd Lincoln [Abraham Lincoln's Hat] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Iconic Legacies (First Ladies at the Smithsonian): No. 2, Mary Todd Lincoln [Abraham Lincoln's Hat] by Jake Heggie, Jamie Barton to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
At the Statue of Venus (Version for Soprano & Piano): I. The Slacks Were a Mistake | Jake Heggie, Lilian Farahani, Maurice Lammerts Van Bueren | G Major | 2 | 9B | 134 BPM | ||
Zālīts, Pel t,velc miedziiņu | Jānis Zālīts, Elina Garanca, Malcolm Martineau | A♭ Major | 0 | 4B | 81 BPM | ||
White in the Moon | Jake Heggie, Angelika Kirchschlager, Maurice Lammerts Van Bueren | A Major | 1 | 11B | 77 BPM | ||
Akt I: Titurel, der fromme Held | Richard Wagner, Georg Zeppenfeld, Philippe Jordan | A♭ Major | 1 | 4B | 76 BPM | ||
Träumen, Op. 7 | Willy Heinz Müller, Rainer Maria Rilke, Mélanie Adami, Judit Polgar | B Minor | 2 | 10A | 88 BPM | ||
Charpentier: Te Deum, H. 146: V. Te per orbem terrarum | Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Ann Murray, John Aler, Kurt Moll | D Major | 0 | 10B | 87 BPM | ||
Per L'efon, Serie 4, No. 3 | Joseph Canteloube, Patricia Rozario, Philharmonia Orchestra, Sir John Pritchard | B♭ Minor | 1 | 3A | 78 BPM | ||
Spring Symphony, Op. 44, Part IV: Finale. London, to Thee I do Present (soprano, alto, tenor, chorus, children's chorus) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Elizabeth Watts, Alice Coote, Allan Clayton, London Symphony Chorus, Tiffin Boys' Choir, Tiffin Children's Chorus, The Tiffin Girls' School Choir | C Major | 3 | 8B | 134 BPM | ||
Fausto, Act II: Cavatina. Palpita nel seno gelido il cor | Louise Bertin, Karina Gauvin, Les Talens Lyriques, Christophe Rousset | D Major | 4 | 10B | 95 BPM | ||
Rückert-Lieder: Liebst du um Schönheit | Gustav Mahler, Orchestre Symphonique de Montréal, Rafael Payare, Sonya Yoncheva | F Major | 0 | 7B | 131 BPM |
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