Francesco Sartori, Lucio Quarantotto, Sarah Brightman, Andrea Bocelli made "Time To Say Goodbye" available on January 1, 1997. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Time To Say Goodbye". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. In terms of popularity, Time To Say Goodbye is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Time To Say Goodbye by Francesco Sartori, Lucio Quarantotto, Sarah Brightman, Andrea Bocelli having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mariage d'amour (Chopin Spring Waltz) | Paul De Senneville, Asterixo | G Minor | 3 | 6A | 141 BPM | ||
Piano Concerto No. 21 in C Major, K. 467, "Elvira Madigan": II. Andante | Wolfgang Amadeus Mozart, Matthias Kirschnereit, Bamberg Symphony, Frank Beermann | F Major | 0 | 7B | 70 BPM | ||
La Boda | Ivan Palomares | A Major | 1 | 11B | 80 BPM | ||
Wherever You Are | Paul Mealor, Cai Thomas, Choristers of St Thomas-on-The Bourne, Robert Lewis | B♭ Major | 3 | 6B | 64 BPM | ||
Panis Angelicus | Chloe Agnew | G Major | 2 | 9B | 72 BPM | ||
Une amitié | Philippe Rombi | C Major | 2 | 8B | 83 BPM | ||
Schindler's List | Paul Mauriat | D Major | 3 | 10B | 91 BPM | ||
Paganini Rhapsody (On a Theme of Paganini: S. Rachmaninoff) [feat. Kirk Trevor & the Slovak National Symphony Orchestra] | Drew Tretick, Kirk Trevor, Slovak National Symphony Orchestra | D♭ Major | 2 | 3B | 84 BPM | ||
Alleluia (feat. Benjamin P. Wenzelberg) | The American Boychoir, Benjamin P. Wenzelberg | D Major | 2 | 10B | 100 BPM | ||
Father and Daugther | Paolo Buonvino | C Major | 1 | 8B | 121 BPM |
Section: 0.7777624130249023
End: 0.7847387790679932