"Psalm 114: When Isael Came Out Of Egypt (From Thonus Peregrinus)" by St. Thomas Choir Of Men And Boys, Gerre Hancock was released on October 20, 1992. The duration of Psalm 114: When Isael Came Out Of Egypt (From Thonus Peregrinus) is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Psalm 114: When Isael Came Out Of Egypt (From Thonus Peregrinus)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "St. Thomas Choir Of Men & Boys - "O God My Heart Is Ready" - Selected Hymns & Psalms". In this album, this song's track order is #13. Based on our statistics, Psalm 114: When Isael Came Out Of Egypt (From Thonus Peregrinus)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Psalm 114: When Isael Came Out Of Egypt (From Thonus Peregrinus) by St. Thomas Choir Of Men And Boys, Gerre Hancock having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bogoroditse Devo - Live | David Crown, Sergei Rachmaninoff, Reading Phoenix Choir | F Major | 2 | 7B | 119 BPM | ||
Alleluia, Alleluia, Praise the Risen Son! | Steven C. Warner, Newman Vocare Ensemble, The Choral Scholars of University College Dublin, Carolan String Quartet, Jane Bergeron O'Keefe, Michele D. Warner, Meadhbh O'Rourke, Anne-Marie O'Farrell | A Major | 3 | 11B | 122 BPM | ||
Laudans exultet gaudio per doppio coro, strumenti e b. c. (Giovanni Croce 1605) | Giovanni Croce, Valvasensi Cantores et Musici, Gruppo Corale San Giovanni, Domenico Innominato, La Chambree du Roy Renée, Marco Rossi | F Major | 1 | 7B | 116 BPM | ||
Lord, Let Me Love You More and More | Christopher Walker | C Major | 1 | 8B | 137 BPM | ||
Huddersfield "Holy Father, Cheer Our Way" | Walter Parratt, Wakefield Cathedral Choir, Louise Marsh, Jonathan Bielby | D Major | 1 | 10B | 92 BPM | ||
Drop down, ye heavens, from above | Judith Weir, Choir of Gonville & Caius College, Cambridge, Geoffrey Webber | D Minor | 1 | 7A | 77 BPM | ||
Come, Risen Lord: Come, risen Lord | Leo Sowerby, Cathedral Choral Society, Nicholas White, Gisele Becker | B♭ Major | 1 | 6B | 79 BPM | ||
Come, Risen Lord | William Ferris Chorale | B♭ Major | 2 | 6B | 65 BPM | ||
Dialogues des Carmélites, FP 159: Ave Maria | Francis Poulenc, Cantus Juvenum Karlsruhe, Carsten Wiebusch, Peter Gortner | B Minor | 2 | 10A | 115 BPM | ||
Missa Deus nobiscum (Version for Soprano, Choir & Orchestra): III. Domine Deus | Philip Stopford, Choir of St Luke's, Chelsea, Chelsea Camerata, Jeremy Summerly | B♭ Major | 2 | 6B | 70 BPM |
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