"Ravel: Daphnis et Chloé, M. 57, Pt. 3: Lever du jour" by Maurice Ravel, Philippe Jordan, Choeur du Théatre National de l'Opéra de Paris, Orchestre de l'Opéra National de Paris was released on April 24, 2015. With this song being about 5 minutes long, at 5:01, "Ravel: Daphnis et Chloé, M. 57, Pt. 3: Lever du jour" by Maurice Ravel, Philippe Jordan, Choeur du Théatre National de l'Opéra de Paris, Orchestre de l'Opéra National de Paris is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "Ravel : Daphnis & Chloé, La Valse". In this album, this song's track order is #13. Ravel: Daphnis et Chloé, M. 57, Pt. 3: Lever du jour is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ravel: Daphnis et Chloé, M. 57, Pt. 3: Lever du jour by Maurice Ravel, Philippe Jordan, Choeur du Théatre National de l'Opéra de Paris, Orchestre de l'Opéra National de Paris having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pas trop vite | Germaine Tailleferre, Cristina Ariagno | D♭ Minor | 0 | 12A | 76 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Serenade in E Minor, Op. 20: II. Larghetto | Edward Elgar, Mainz Chamber Orchestra, Gernot Schulz | C Major | 1 | 8B | 77 BPM | ||
Following Muta | Yuji Nomi | D♭ Minor | 2 | 12A | 142 BPM | ||
Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 1 | 6A | 113 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Infernal Dance Of King Kaschei | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | A Minor | 3 | 8A | 162 BPM | ||
Chopin: 12 Études, Op. 10: No. 3 in E Major "Tristesse" | Frédéric Chopin, Boris Berezovsky | F Minor | 2 | 4A | 84 BPM | ||
Introduction and Allegro for Harp, Flute, Clarinet and String Quartet | Maurice Ravel, Zoltán Gyöngyössy, Béla Kovács, Eva Maros, Kodály Quartet | E♭ Minor | 1 | 2A | 85 BPM | ||
Klid (Silent Woods), Op. 68/5 | Antonín Dvořák, Jean-Guihen Queyras | D♭ Major | 1 | 3B | 75 BPM | ||
Carnaval, Op. 9: No. 12. Chopin | Robert Schumann, Boris Giltburg | C Major | 1 | 8B | 77 BPM |
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