Mick Clarke made "Fine and Dandy" available on November 11, 2022. The duration of Fine and Dandy is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Fine and Dandy's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Fine and Dandy and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. Fine and Dandy is below average in popularity right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Fine and Dandy by Mick Clarke is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
After the Mystery | The Beat Daddys | F Major | 5 | 7B | 102 BPM | ||
Someone to love me | Rob Tognoni, Mirko Kirch, Frank Lennartz | B Minor | 9 | 10A | 187 BPM | ||
Stop | Gregor Hilden, Richie Arndt | A Major | 6 | 11B | 94 BPM | ||
The Question Why | Ben Poole | D♭ Major | 4 | 3B | 120 BPM | ||
Smoked | Mark Selby | G Major | 7 | 9B | 122 BPM | ||
Hang On | Corey Stevens | A♭ Minor | 7 | 1A | 116 BPM | ||
Sad Blue Eyes | Corey Stevens | D♭ Major | 5 | 3B | 104 BPM | ||
Let Me Be Gone | Altered Five Blues Band | B♭ Major | 8 | 6B | 130 BPM | ||
Doing Too Much | Ronnie Baker Brooks, 'Big Head' Todd Mohr | A Major | 7 | 11B | 89 BPM | ||
Back in Baltimore | Danny Bryant's Redeyeband | A Minor | 7 | 8A | 155 BPM |
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