"Mad Scene: Il dolce suono… Ardon gl'incensi (from Lucia di Lammermoor)" by Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi was released on August 16, 2011. Mad Scene: Il dolce suono… Ardon gl'incensi (from Lucia di Lammermoor) appears to be safe for all ages as it is not explicit. The track order of this song in Dame Joan Sutherland's "Joan Sutherland "La Stupenda"" album is number 6 out of 10. Mad Scene: Il dolce suono… Ardon gl'incensi (from Lucia di Lammermoor) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mad Scene: Il dolce suono… Ardon gl'incensi (from Lucia di Lammermoor) by Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Turandot / Act 2: Straniero, ascolta | Giacomo Puccini, Dame Joan Sutherland, Luciano Pavarotti, Sir Peter Pears, Montserrat Caballé, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | F♯ Major | 2 | 2B | 78 BPM | ||
Turandot / Act 3: "Quel nome!" | Giacomo Puccini, Montserrat Caballé, Dame Joan Sutherland, Luciano Pavarotti, Nicolai Ghiaurov, Tom Krause, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | A Minor | 2 | 8A | 133 BPM | ||
Les Contes d'Hoffmann / Act 2: Belle nuit, ô nuit d'amour | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Plácido Domingo, Andre Neury, Pro Arte Choir, Lausanne, Choeur Du Brassus, Choeur de la Radio Suisse Romande, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 77 BPM | ||
Der Rosenkavalier, Op.59 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 3 | 3B | 89 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 1 | 10B | 81 BPM | ||
Il Barbiere di Siviglia: Ecco, ridente in cielo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 1 | 8B | 126 BPM | ||
Rigoletto - Bella Figlia Dell'Amore | Luciano Pavarotti, Adriana Lazzarini, Piero Cappuccilli, Margherita Rinaldi | D♭ Major | 2 | 3B | 61 BPM | ||
Norma / Act 1: Adalgisa! | Vincenzo Bellini, Dame Joan Sutherland, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard Bonynge | B♭ Minor | 0 | 3A | 102 BPM |
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