"Berlioz: Les Nuits d'été, Op. 7, H 81b: I. Villanelle, H 82b" by Hector Berlioz, Théophile Gautier, Véronique Gens/Louis Langree/Orchestre de l'Opéra National de Lyon, Louis Langrée, Orchestre De L'Opéra National De Lyon was released on November 15, 2000. The duration of Berlioz: Les Nuits d'été, Op. 7, H 81b: I. Villanelle, H 82b is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Berlioz: Les Nuits d'été, Op. 7, H 81b: I. Villanelle, H 82b's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 10 in Berlioz: Les Nuits d'été by Hector Berlioz, Véronique Gens, Louis Langrée, Orchestre De L'Opéra National De Lyon. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Berlioz: Les Nuits d'été, Op. 7, H 81b: I. Villanelle, H 82b's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Berlioz: Les Nuits d'été, Op. 7, H 81b: I. Villanelle, H 82b by Hector Berlioz, Théophile Gautier, Véronique Gens/Louis Langree/Orchestre de l'Opéra National de Lyon, Louis Langrée, Orchestre De L'Opéra National De Lyon is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eugene Onegin, Op. 24, TH 5 / Act III: "Lyubvi vsye vozrasti pokorni" | Pyotr Ilyich Tchaikovsky, Paata Burchuladze, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM | ||
D'une prison | Reynaldo Hahn, Susan Graham | B♭ Major | 0 | 6B | 89 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM | ||
Mozart: Mass in C Minor, K. 427, "Great Mass": Quoniam | Wolfgang Amadeus Mozart, Louis Langrée, Denis Comtet, Le Choeur du Concert d'Astrée, Natalie Dessay, Topi Lehtipuu, Véronique Gens, Yves Castagnet, Le Concert d'Astrée | C Minor | 0 | 5A | 112 BPM | ||
Orfeo ed Euridice, Wq. 30 / Acte III: Air: J'ai perdu mon Euridice - Live | Christoph Willibald Gluck, Richard Croft, Les Musiciens du Louvre, Marc Minkowski | B Major | 2 | 1B | 91 BPM | ||
Fauré: 3 Songs, Op. 23: No. 1, Les berceaux | Gabriel Fauré, Sabine Devieilhe, Alexandre Tharaud | C Minor | 0 | 5A | 81 BPM | ||
Rossini: Guillaume Tell, Act 2 Scene 2: "Sombre forêt" (Mathilde) | Gioachino Rossini, Montserrat Caballé | A♭ Major | 1 | 4B | 74 BPM | ||
Strauss, R: 4 Lieder, Op. 27: No. 4, Morgen! (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra | G Major | 1 | 9B | 75 BPM | ||
Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 4: "D'amour l'ardente flamme" (Marguerite) | Hector Berlioz, John Nelson, Joyce DiDonato, Orchestre Philharmonique De Strasbourg | F Major | 0 | 7B | 73 BPM |
Section: 0.6964447498321533
End: 0.7060565948486328