"An American in Paris" by George Gershwin, James Thomson, Orchestre Symphonique de Montréal, Charles Dutoit was released on May 1, 1989. An American in Paris appears to be safe for all ages as it is not explicit. The track order of this song in George Gershwin, Louis Lortie, Orchestre Symphonique de Montréal, Charles Dutoit's "Gershwin: An American In Paris; Rhapsody in Blue" album is number 1 out of 4. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, An American in Paris's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of An American in Paris by George Gershwin, James Thomson, Orchestre Symphonique de Montréal, Charles Dutoit to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
Pictures At An Exhibition: The Old Castle | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 136 BPM | ||
Symphony No.29 In A, K. 201, 1st Movement | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 1 | 11B | 149 BPM | ||
Piano Concerto in F Major: I. Allegro | George Gershwin, Orion Weiss, Buffalo Philharmonic Orchestra, Joann Falletta | D♭ Major | 2 | 3B | 85 BPM | ||
Fascinatin' Rhythm | Leon Bates, George Gershwin | E♭ Major | 1 | 5B | 145 BPM | ||
Elite Syncopations (arr. I. Perlman for violin and piano) | Itzhak Perlman, Scott Joplin, Matthew Trusler, Wayne Marshall | G Major | 3 | 9B | 100 BPM | ||
Peter and the Wolf, Op. 67 (Remastered): The Story Begins | Sergei Prokofiev, Eugene Ormandy, Philadelphia Orchestra | G Major | 2 | 9B | 100 BPM | ||
Tannhauser: Overture | Richard Wagner, Slovak Philharmonic, Michael Halasz | B Major | 0 | 1B | 98 BPM | ||
Shostakovich: Tahiti Trot, Op. 16 (Orchestration of "Tea for Two") | Vincent Youmans, Philadelphia Orchestra, Mariss Jansons | A♭ Major | 1 | 4B | 84 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Im Tempo nachgeben | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | B Major | 1 | 1B | 152 BPM |
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