Carmen Piazzini's 'Concerto No. 22 in E-Flat Major for Piano and Orchestra, K. 482: I. Allegro' came out on May 17, 2011. Concerto No. 22 in E-Flat Major for Piano and Orchestra, K. 482: I. Allegro appears to be safe for all ages as it is not explicit. There are a total of 56 in the song's album "The Extended Music of Amadeus". In this album, this song's track order is #34. Based on our statistics, Concerto No. 22 in E-Flat Major for Piano and Orchestra, K. 482: I. Allegro's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto No. 22 in E-Flat Major for Piano and Orchestra, K. 482: I. Allegro by Carmen Piazzini having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sangen, Symphonic Cantata, Op. 44: 1. Interlude. Molto adagio, solenne | Wilhelm Stenhammar, Gothenburg Symphony Orchestra, Neeme Järvi | E♭ Major | 1 | 5B | 79 BPM | ||
Concerto No. 22 in E-Flat Major for Piano and Orchestra, K. 482: I. Allegro | Carmen Piazzini | E♭ Major | 1 | 5B | 139 BPM | ||
Waltz No.3 in A Minor, Op.34 No.2 | Frédéric Chopin, Claudio Arrau | A Minor | 0 | 8A | 72 BPM | ||
Trois Gymnopédies: I. Lent Et Douloureux | Erik Satie, Wolfgang Sieber | D Major | 0 | 10B | 73 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Stuttgart Chamber Orchestra, Karl Münchinger | F Major | 1 | 7B | 67 BPM | ||
Eugene Onegin, Op. 24, Act II: Aria di Lenski (arr. W. Thomas-Mifume for cello and piano) | Werner Thomas-Mifune, Pyotr Ilyich Tchaikovsky, Carmen Piazzini | E Minor | 0 | 9A | 98 BPM | ||
Klavierkonzert Nr. 20 D-Moll KV 466 - II. Romance | Mozart Festival Orchester, Svetlana Stanceva, Marco Bertone | B♭ Major | 1 | 6B | 86 BPM | ||
Moment Musical in F Minor, Op. 94, No. 3, D. 780 (arr. for chamber ensemble) | Anonymous , Franz Schubert, Budapest Strings, Bela Banfalvi | F Minor | 0 | 4A | 101 BPM | ||
Three Wedding Dances for Piano 4-Hands | György Ligeti, Erika Haase, Carmen Piazzini | F Major | 0 | 7B | 86 BPM | ||
Divertmento n.1 in Re Maggiore K 136 | Chamber Orchestra Armonie | C Major | 1 | 8B | 176 BPM |
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