"2 Romanian Rhapsodies, Op. 11: Romanian Rhapsody No. 1 in A Major" by George Enescu, Royal Scottish National Orchestra, Neeme Järvi was released on July 1, 1991. 2 Romanian Rhapsodies, Op. 11: Romanian Rhapsody No. 1 in A Major appears to be safe for all ages as it is not explicit. The song is number 10 out of 11 in Bartok: Hungarian Pictures / Weiner: Hungarian Folkdance / Enescu: Romanian Rhapsodies by Hugh Bean, Neeme Järvi. In terms of popularity, 2 Romanian Rhapsodies, Op. 11: Romanian Rhapsody No. 1 in A Major is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 2 Romanian Rhapsodies, Op. 11: Romanian Rhapsody No. 1 in A Major by George Enescu, Royal Scottish National Orchestra, Neeme Järvi is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonietta: III. Allegro | Maya Badian, Brasov State Philharmonic Orchestra, Ilarion Ionescu-Galati | D♭ Major | 2 | 3B | 100 BPM | ||
Berlioz: La Damnation de Faust, Op. 24, H 111, Pt. 1: Marche hongroise | Hector Berlioz, Sir John Barbirolli, Hallé | A Major | 3 | 11B | 94 BPM | ||
Made Of Dreams | Return Of Dream | B♭ Minor | 2 | 3A | 172 BPM | ||
Violin Concerto in D Minor "Accademico": III. Presto | Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron, Jack Liebeck | G Major | 1 | 9B | 79 BPM | ||
Clarinet Sonata, FP 184: Romanza: Tres calme | Francis Poulenc, Ronald Van Spaendonck, Alexandre Tharaud | G Minor | 0 | 6A | 68 BPM | ||
Brandenburg Concerto No. 5 in D Major, BWV 1050: III. Allegro | Johann Sebastian Bach, Jean-Pierre Rampal, Christian Ferras, Céliny Chailley Richez, Orchestre de l’Association des Concerts de Chambre de Paris, George Enescu | G Major | 2 | 9B | 142 BPM | ||
Valses nobles et sentimentales, M. 61 (1912 Version for Orchestra): No. 3, Modéré | Maurice Ravel, Basque National Orchestra, Robert Trevino | C Major | 0 | 8B | 82 BPM | ||
La Fille mal gardée, Act I: 1. Introduction | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | A Major | 0 | 11B | 95 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 23: II. Andantino semplice | Valery Gergiev | D♭ Minor | 1 | 12A | 69 BPM | ||
Shchedrin: Carmen Suite: VII. Second Intermezzo (after Bizet's opera) | Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev | E Major | 1 | 12B | 116 BPM |
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