"Suite in the Old Style: V. Pantomime" by Alfred Schnittke, Daniel Hope, Alexey Botvinov was released on February 5, 2021. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Schnittke: Works for Violin and Piano". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. Suite in the Old Style: V. Pantomime is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite in the Old Style: V. Pantomime by Alfred Schnittke, Daniel Hope, Alexey Botvinov having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata No. 1 for Cello and Piano: I. Largo | Alfred Schnittke, Jan Michiels, Viviane Spanoghe | E♭ Major | 0 | 5B | 70 BPM | ||
Symphony No. 2, Op. 132, "Mysterious Mountain": II. Double Fugue | Alan Hovhaness, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 2 | 8A | 73 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
Requiem canticles: I. Praeludium | Igor Stravinsky, Royal Flemish Philharmonic, Philippe Herreweghe | A Minor | 1 | 8A | 138 BPM | ||
4 Hymns: II. for cello and double bass | Alfred Schnittke, Torleif Thedéen, Christian Davidsson, Ingegerd Fredlund, Entcho Radoukanov, Mayumi Kamata, Anders Holdar, Anders Loguin | A Major | 0 | 11B | 79 BPM | ||
For Children, Vol. 1, Sz. 42 (Excerpts): No. 17, The Young Bride. Adagio [Original Version] | Béla Bartók, Fülöp Ránki | B Minor | 0 | 10A | 78 BPM | ||
Dido and Aeneas, Z. 626: When I am laid in earth, "Dido's Lament" (arr. L. Stokowski) | Henry Purcell, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | G Minor | 0 | 6A | 73 BPM | ||
Requiem: 3. Dies irae | Alfred Schnittke, Moscow State Academic Chamber Choir, Timofei Golberg, Alexey Zavolokin, Sergei Sokuler, Marianna Vysotskaya, Elena Ilyina, Percussion ensemble of the Moscow Philharmonic Orchestra | B♭ Major | 3 | 6B | 154 BPM | ||
Three Sacred Hymns: III. Vater unser | Alfred Schnittke, RIAS Kammerchor, Hans-Christoph Rademann | E♭ Major | 1 | 5B | 75 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM |
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