Joaquín Turina, John Williams made "Homenaje a Tárrega, Op. 69: II. Soleares" available on 1964. The duration of Homenaje a Tárrega, Op. 69: II. Soleares is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Homenaje a Tárrega, Op. 69: II. Soleares's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Spanish Guitar Favourites". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. In terms of popularity, Homenaje a Tárrega, Op. 69: II. Soleares is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Homenaje a Tárrega, Op. 69: II. Soleares by Joaquín Turina, John Williams having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carcassi Op.60 N.7 Allegro | Matteo Carcassi, Lucio Matarazzo | A Minor | 5 | 8A | 144 BPM | ||
24 Caprices, Op. 1 (arr. for guitar): No. 5 in A Minor | Niccolò Paganini, Marco Tamayo | E Minor | 2 | 9A | 69 BPM | ||
Primavera Sevillana: III. Caballistas en el Campo y Río Guadalquivir | Joaquín Turina, Juan De Udaeta, Orquesta Ciudad De Granada | G Major | 0 | 9B | 100 BPM | ||
Piano Quartet, Op. 67: I. Lento | Joaquín Turina, Friedemann Rieger, Nora Chastain, Paul Coletti, Menuhin Festival Piano Quartet, Christine Busch, Anna Barbara Duetschler | G Major | 0 | 9B | 100 BPM | ||
Lieder ohne Worte (Songs without Words), Book 4, Op. 53: Song without Words, Op. 53, No. 4 | Felix Mendelssohn, Gerald Garcia | F Major | 0 | 7B | 110 BPM | ||
Misionera (arr. J. Morel for guitar) | Fernando Bustamante, Jorge Morel, Jason Vieaux | A Minor | 2 | 8A | 97 BPM | ||
Etude No. 6 (arr. of F. Sor: 24 Very Easy Exercises Op. 35 No. 17) | Fernando Sor, Roland Dyens, Quatuor Arthur. Le Blanc | G Major | 0 | 9B | 126 BPM | ||
Sons de Carilhões (Version 2) | Joao Pernambuco, Miloš Karadaglić | D Major | 4 | 10B | 140 BPM | ||
12 Estudos, W235: II. Allegro - arpejos | Heitor Villa-Lobos, Mickael Viegas | E Major | 3 | 12B | 79 BPM | ||
Canción y Danza IV (transcribed by James Beneteau/Marco Ramelli) | Federico Mompou, Marco Ramelli | A Minor | 0 | 8A | 69 BPM |
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