Jean-Baptiste Lully, The London Oboe Band, Paul Goodwin's 'Le Bourgeois gentilhomme: Le Bourgeois gentilhomme: Quatrième intermède, Air pour la cérémonie des Turcs' came out on 1994. With Le Bourgeois gentilhomme: Le Bourgeois gentilhomme: Quatrième intermède, Air pour la cérémonie des Turcs being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in The London Oboe Band, Paul Goodwin, Marie-Ange Petit's "Lully: Le bourgeois Gentilhomme - Philidor: Le Mariage de la Grosse Cathos" album is number 22 out of 45. Le Bourgeois gentilhomme: Le Bourgeois gentilhomme: Quatrième intermède, Air pour la cérémonie des Turcs is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Le Bourgeois gentilhomme: Le Bourgeois gentilhomme: Quatrième intermède, Air pour la cérémonie des Turcs by Jean-Baptiste Lully, The London Oboe Band, Paul Goodwin to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia for 2 Oboes in G Major (Arr. A. Camden): I. Allegro | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | D Major | 3 | 10B | 105 BPM | ||
I. Overture: II. Rondo | Henry Purcell, Raymond Leppard, English Chamber Orchestra | D Minor | 3 | 7A | 100 BPM | ||
Gavotte - Arr. for Cello and Piano | Jean-Baptiste Lully, Mischa Maisky, Pavel Gililov | D Minor | 0 | 7A | 85 BPM | ||
Fago: Il Faraone sommerso: "Alla gente a Dio diletta" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 1 | 12B | 92 BPM | ||
Prelude from Te Deum | Marc-Antoine Charpentier, Elizabeth Wallfisch, Nicholas Kraemer | D♭ Major | 4 | 3B | 84 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Dies irae, LWV 64/1: Dies irae dies illa | Jean-Baptiste Lully, Chœur De Chambre De Namur, Millenium Orchestra, Cappella Mediterranea, Leonardo García-Alarcón, Sophie Junker, Judith van Wanroij, Matthias Vidal, Thibaut Lenaerts, Alain Buet | F Minor | 3 | 4A | 115 BPM | ||
Violin Concerto in B-Flat Major, Op. 10 No. 1: I. Allegro | Jean-Marie Leclair, Leila Schayegh, La Cetra Barockorchester Basel | A Major | 1 | 11B | 99 BPM | ||
Xerxes Ballet: Air pour les matelots jouants des trompettes marines | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 3 | 3B | 139 BPM | ||
Purcell : King Arthur : Air | William Christie | C Minor | 0 | 5A | 96 BPM |
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