- BPM
- 123
- Key
- E♭ Major
- Camelot
- 5B
Septet in E flat major, Op. 20 - Melos Ensemble Information
- Acousticness
- 96%
- Danceability
- 63%
- Energy
- 6%
- Instrumentalness
- 56%
- Liveness
- 13%
- Loudness
- 72%
- Speechiness
- 6%
- Valence
- 50%
- Popularity
- 4%
- Loudness
- -16.56 dB
Summary
Melos Ensemble made "Septet in E flat major, Op. 20" available on June 19, 2012. The duration of Septet in E flat major, Op. 20 is about 3 minutes long, at 3:10. Based on our data, "Septet in E flat major, Op. 20" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 25 out of 151 in Classical Essentials by Melos Ensemble. Based on our statistics, Septet in E flat major, Op. 20's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Septet in E flat major, Op. 20 BPM
The tempo marking of Septet in E flat major, Op. 20 by Melos Ensemble is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Septet in E flat major, Op. 20 Key
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Violin Concerto No. 2 in D Minor, Op. 22: III. Allegro confuoco | Henryk Wieniawski, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Major | 2 | 10B | 154 BPM | |
 | Piano Quartet in E flat, Op. 47: 4. Finale (Vivace) | Robert Schumann, Menahem Pressler, Emerson String Quartet | E♭ Major | 1 | 5B | 141 BPM | |
 | String Quartet in G Major, Op 77, No.1 (1799): Presto | Joseph Haydn, Quatuor Alcan | D Minor | 1 | 7A | 182 BPM | |
 | String Quintet No.2 in B Flat Major, Op.87, MWV R33: 2. Andante scherzando | Felix Mendelssohn, Academy of St. Martin in the Fields, Iona Brown, Malcolm Latchem, Stephen Shingles, Anthony Jenkins, Denis Vigay | G Minor | 1 | 6A | 154 BPM | |
 | 6 Pezzi, P. 31: No. 1. Berceuse | Ottorino Respighi, Emy Bernecoli, Massimo Giuseppe Bianchi | D Minor | 1 | 7A | 102 BPM | |
 | Alceste (Sung in French): Overture | Christoph Willibald Gluck, Jessye Norman, Nicolai Gedda, Siegmund Nimsgern, Tom Krause, Robert Gambill, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Serge Baudo | C Minor | 0 | 5A | 69 BPM | |
 | 5 German Dances with 7 Trios and Coda, D. 89: No. 3, German Dance in D Major | Franz Schubert, Daniel Hope, Zürcher Kammerorchester | C Minor | 0 | 5A | 96 BPM | |
 | Sinfonia concertante in F Major, Op. 38: III. Adagio | Franz Krommer, Orchestra della Svizzera Italiana, Howard Griffiths, Bruno Grossi, Marco Schiavon, Robert Kowalski | B♭ Major | 1 | 6B | 177 BPM | |
 | Variationen Über Ein Thema Aus Silvana, Op. 33: Thema | Carl Maria von Weber, Martin Klett, Sebastian Manz | F Major | 0 | 7B | 71 BPM | |
 | Clarinet Quintet in B Minor, Op. 115: III. Andantino - Presto non assai, ma con sentimento | Johannes Brahms, Martin Fröst, Janine Jansen, Boris Brovtsyn, Maxim Rysanov, Torleif Thedéen | D Major | 2 | 10B | 105 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8854954242706299
End: 0.8894047737121582