Erik Satie, Pascal Rogé made "Six Pièces de la période 1906-1913: 1. Désespoir agréable" available on June 6, 2021. With Six Pièces de la période 1906-1913: 1. Désespoir agréable being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 50 in the song's album "Satie for reading". In this album, this song's track order is #45. Six Pièces de la période 1906-1913: 1. Désespoir agréable is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Six Pièces de la période 1906-1913: 1. Désespoir agréable by Erik Satie, Pascal Rogé having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Departure | Max Richter, Lang Lang | C Minor | 0 | 5A | 0 BPM | ||
Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | ||
5 Pieces, Op. 75, "The Trees": No. 3 Aspen | Jean Sibelius, Håvard Gimse | A♭ Minor | 0 | 1A | 0 BPM | ||
Solfeggio, H. 220 | Carl Philipp Emanuel Bach, Rebecca Chambers | C Minor | 2 | 5A | 125 BPM | ||
None but the lonely heart, Op. 6, No. 6 | Pyotr Ilyich Tchaikovsky, Isaac Stern, Milton Katims, Columbia Symphony Orchestra | E♭ Minor | 2 | 2A | 82 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Liebesleid (Love's Sorrow) | Fritz Kreisler, Sergei Rachmaninoff, RueiBin Chen | A Major | 2 | 11B | 98 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | E Minor | 1 | 9A | 96 BPM | ||
debussy-Moonlight | Paulina Loseva | D♭ Major | 1 | 3B | 75 BPM |
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