"Tod und Verklarung (Death and Transfiguration), Op. 24, TrV 158" by Richard Strauss, Slovak Philharmonic, Zdeněk Košler was released on October 24, 1990. Tod und Verklarung (Death and Transfiguration), Op. 24, TrV 158 appears to be safe for all ages as it is not explicit. There are a total of 3 in the song's album "STRAUSS, R.: Don Juan / Till Eulenspiegel / Death and Transfiguration". In this album, this song's track order is #2. Tod und Verklarung (Death and Transfiguration), Op. 24, TrV 158 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tod und Verklarung (Death and Transfiguration), Op. 24, TrV 158 by Richard Strauss, Slovak Philharmonic, Zdeněk Košler having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 3, P. 172: IV. Passacaglia: Maestoso | Ottorino Respighi, RTÉ National Symphony Orchestra | G Minor | 2 | 6A | 119 BPM | ||
Má vlast (My Country): No. 3, Šárka | Bedřich Smetana, Polish National Radio Symphony Orchestra, Antoni Wit | A Major | 1 | 11B | 95 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
Violin Concerto in D Major, Op. 35, TH. 59: II. Romance: Andante | Erich Wolfgang Korngold, Anne-Sophie Mutter, London Symphony Orchestra, André Previn | G Major | 1 | 9B | 73 BPM | ||
Holberg Suite, Op. 40: IV. Air (Andante religioso) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | B♭ Major | 0 | 6B | 86 BPM | ||
Symphony No. 2, Op. 132, "Mysterious Mountain": I. Andante con moto | Alan Hovhaness, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 0 | 8A | 93 BPM | ||
St. Paul's Suite, Op. 29, No. 2: III. Intermezzo | Gustav Holst, English Sinfonia, Howard Griffiths | E Minor | 1 | 9A | 132 BPM | ||
Concerto grosso, Op. 3 (revised), No. 6 in E Minor: IV. Allegro | Francesco Geminiani, Concerto Köln | E♭ Minor | 1 | 2A | 129 BPM | ||
Symphony No. 1 in D, Op. 25 "Classical Symphony": 4. Finale (Vivace) | Sergei Prokofiev, London Symphony Orchestra, Valery Gergiev | D Major | 1 | 10B | 100 BPM |
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