"Symphony No. 7: Beginning" by Allan Pettersson, Norrköpings Symfoniorkester, Christian Lindberg was released on April 6, 2018. The duration of Symphony No. 7: Beginning is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Symphony No. 7: Beginning's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Pettersson: Symphonies Nos. 5 & 7". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Sweden. Symphony No. 7: Beginning is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 7: Beginning by Allan Pettersson, Norrköpings Symfoniorkester, Christian Lindberg having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Wooden Prince, Sz. 60 (Final Version): XII. The Prince Despairs | Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard | F Major | 4 | 7B | 154 BPM | ||
Preliudai (Preludes): Preludias, Op. 12, No. 1: Lento | Mikalojus Konstantinas Čiurlionis, Slovak Philharmonic, Juozas Domarkas | E Minor | 0 | 9A | 82 BPM | ||
Schubert / Orch. Mahler: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. Andante con moto | Franz Schreker, Camerata Academica Salzburg/Franz Welser-Möst, Franz Welser-Möst, Camerata Salzburg | A Major | 0 | 11B | 80 BPM | ||
Two Pieces for violin, viola and piano: II. Allegro con molto moto | Benjamin Britten, Isabelle Faust, Alexander Melnikov, Boris Faust | F♯ Major | 1 | 2B | 138 BPM | ||
Belshazzar's Feast, JS 48: Act I: Alla marcia | Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam | A Major | 2 | 11B | 69 BPM | ||
Cello Concerto No. 2, W516: I. Allegro non troppo | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | D Minor | 1 | 7A | 76 BPM | ||
Concerto for Orchestra: I. Intrada. Allegro maestoso | Witold Lutosławski, Finnish Radio Symphony Orchestra, Nicholas Collon | F Minor | 0 | 4A | 70 BPM | ||
Variations on a Theme by Frank Martin, Op. 105: Var. 5, Allegro | Arnold Rosner, London Philharmonic Orchestra, Nick Palmer | A Minor | 1 | 8A | 106 BPM | ||
Raymonda, Act III: Variation for female dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | B Major | 0 | 1B | 76 BPM | ||
Valses nobles et sentimentales, M.61 - for Orchestra: 3. Modéré | Maurice Ravel, Cleveland Orchestra, Vladimir Ashkenazy | A Major | 1 | 11B | 110 BPM |
Section: 1.1081197261810303
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