Giuseppe Taddei, Orchestra Sinfonica Di Milano made "Largo al factotum (Il Barbiere di Siviglia)" available on August 30, 2006. With this song being about 5 minutes long, at 5:01, "Largo al factotum (Il Barbiere di Siviglia)" by Giuseppe Taddei, Orchestra Sinfonica Di Milano is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 15 in Dokumente einer Sängerkarriere - Giuseppe Taddei by Giuseppe Taddei. Going off of the ISRC code of this track, we detected that the origin of this track is from Austria. Largo al factotum (Il Barbiere di Siviglia) is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Largo al factotum (Il Barbiere di Siviglia) by Giuseppe Taddei, Orchestra Sinfonica Di Milano is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Requiem in D Minor, K. 626: IV. Tuba mirum | Wolfgang Amadeus Mozart, Riccardo Muti, Frank Lopardo, James Morris, Patrizia Pace, Waltraud Meier, Berliner Philharmoniker | B♭ Major | 1 | 6B | 140 BPM | ||
Wagner: Lohengrin: "Mein lieber Schwan" (Lohengrin) | Richard Wagner, Michael Spyres, Christophe Rousset, Les Talens Lyriques | G Major | 1 | 9B | 62 BPM | ||
Die Zauberflöte (Sung in Italian), K. 620, Act I: Act I: Io son l'uccellatore (Papageno) | Wolfgang Amadeus Mozart, Plinio Clabassi, Mario Petri, Elisabeth Schwarzkopf, Coro di Milano della RAI, Alda Noni, Giuseppe Taddei, Nicolai Gedda, Orchestra Sinfonica Nazionale della RAI di Milano, Rita Streich, Herbert von Karajan | A♭ Major | 1 | 4B | 103 BPM | ||
La belle Hélène / Act 1: Au mont Ida...Le jugement de Paris | Jacques Offenbach, Joseph Calleja, Academy of St. Martin in the Fields, Carlo Rizzi | B♭ Major | 2 | 6B | 96 BPM | ||
Messa da Requiem: II Lacrymosa | Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra | B♭ Minor | 1 | 3A | 77 BPM | ||
Ciganské melodie, Op. 55, B. 104 - Arr. by Jiri Teml: IV. Kdyz mne stara matka | Antonín Dvořák, Anna Netrebko, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 2 | 6A | 115 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Renata Tebaldi, Orchestre National de l'Opéra de Monte-Carlo, Fausto Cleva | E Major | 1 | 12B | 66 BPM | ||
La traviata / Act I: "Ebben? che diavol fate?" | Giuseppe Verdi, Ileana Cotrubas, Walter Gullino, Plácido Domingo, Bavarian State Orchestra, Carlos Kleiber | E♭ Major | 1 | 5B | 125 BPM | ||
5 Lieder, Op. 105: No. 1. Wie Melodien zieht es mir | Johannes Brahms, Diana Damrau, Helmut Deutsch | B♭ Major | 2 | 6B | 96 BPM | ||
Aida: Act III: O cieli azzurri … (Aida) | Giuseppe Verdi, Maria Callas, Mario del Monaco, Oralia Dominguez, Giuseppe Taddei, Roberto Silva, Ignacio Ruffino, Palacio de Bellas Artes Chorus, Palacio de Bellas Artes Orchestra, Oliviero de Fabritiis | D♭ Major | 5 | 3B | 173 BPM |
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