"Förunderligt och märkligt: Hymns and Sacred Songs, FS 83: No. 1. Forunderligt och markligt (Wonderful and strange)" by Carl Nielsen, Malmo Chamber Choir, Dan-Olof Stenlund was released on November 30, 1993. The duration of Förunderligt och märkligt: Hymns and Sacred Songs, FS 83: No. 1. Forunderligt och markligt (Wonderful and strange) is about 3 minutes long, at 3:02. Based on our data, "Förunderligt och märkligt: Hymns and Sacred Songs, FS 83: No. 1. Forunderligt och markligt (Wonderful and strange)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 14 out of 20 in Christmas Music by Various Artists, Dan-Olof Stenlund. Förunderligt och märkligt: Hymns and Sacred Songs, FS 83: No. 1. Forunderligt och markligt (Wonderful and strange) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Förunderligt och märkligt: Hymns and Sacred Songs, FS 83: No. 1. Forunderligt och markligt (Wonderful and strange) by Carl Nielsen, Malmo Chamber Choir, Dan-Olof Stenlund is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 2 in D: 3. Notturno | Alexander Borodin, Takács Quartet | A Major | 1 | 11B | 80 BPM | ||
Symphony No. 5 in E Minor, Op. 64: III. Valse. Allegro moderato | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Kirill Petrenko | A Major | 0 | 11B | 139 BPM | ||
Reinecke: Flute Concerto in D Major, Op. 283: I. Allegro molto moderato | Carl Reinecke, Emmanuel Pahud, Ivan Repušić, Das Münchner Rundfunkorchester | A Major | 1 | 11B | 110 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 3. R.B.T. (Allegretto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 0 | 9B | 86 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
Symphony No. 1 in G Minor, Op. 7, FS 16: IV. Finale. Allegro con fuoco | Carl Nielsen, Sir Colin Davis, London Symphony Orchestra | G Minor | 1 | 6A | 137 BPM | ||
L'Horloge de Flore: 3h - Galant de jour | Jean Françaix, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius | A Minor | 1 | 8A | 90 BPM | ||
Music To Goethe's Tragedy "Egmont" Op.84: Ouverture - Sostenuto, ma non troppo - Allegro | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | F Minor | 2 | 4A | 135 BPM | ||
A Fugal Concerto, Op. 40: II. Adagio | Gustav Holst, Anna Pyne, Philip Harmer, English Sinfonia, Howard Griffiths | D Major | 1 | 10B | 60 BPM | ||
Symphony No. 4, Op. 29 "The Inextinguishable": II. Poco allegretto | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | C Major | 0 | 8B | 77 BPM |
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