"Hymn Tune Prelude on Song 13 by Orlando Gibbons (Arr. For string orchestra)" by Ralph Vaughan Williams, London Symphony Orchestra, Richard Hickox was released on January 1, 1999. The duration of Hymn Tune Prelude on Song 13 by Orlando Gibbons (Arr. For string orchestra) is about 3 minutes long, at 3:22. Based on our data, "Hymn Tune Prelude on Song 13 by Orlando Gibbons (Arr. For string orchestra)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vaughan Williams: Valiant for Truth / Symphony No. 5 / The Pilgrim Pavement / Prelude and Fugue by Ralph Vaughan Williams, Richard Hickox. The song's track number on the album is #7 out of 10 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Hymn Tune Prelude on Song 13 by Orlando Gibbons (Arr. For string orchestra) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Hymn Tune Prelude on Song 13 by Orlando Gibbons (Arr. For string orchestra) by Ralph Vaughan Williams, London Symphony Orchestra, Richard Hickox has a tempo of 71 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Hymn Tune Prelude on Song 13 by Orlando Gibbons (Arr. For string orchestra) being at 71 BPM, the half-time would be 36 BPM with a double-time of 142 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nisi Dominus, RV 608: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM | ||
Love's Labour's Lost, Op.28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 99 BPM | ||
Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
Five Variants of "Dives and Lazarus" | Ralph Vaughan Williams, Iona Brown, Kenneth Heath, Skaila Kanga, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 87 BPM | ||
Rodeo: II. Corral Nocturne | Aaron Copland, Detroit Symphony Orchestra, Leonard Slatkin | C Major | 0 | 8B | 71 BPM | ||
Concerto accademico (Concerto for violin and strings in D minor): II. Adagio | Ralph Vaughan Williams, Bradley Creswick/Northern Sinfonia of England/Richard Hickox, Richard Hickox, Northern Sinfonia Of England | C Major | 1 | 8B | 82 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Symphony No. 5 In C Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 87 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM |
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