Carl Orff, John Williams, Boston Pops Orchestra made "O Fortuna from Carmina Burana - Vocal" available on 1996. The duration of O Fortuna from Carmina Burana - Vocal is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. O Fortuna from Carmina Burana - Vocal's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Summon the Heroes". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Based on our statistics, O Fortuna from Carmina Burana - Vocal's popularity is average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With O Fortuna from Carmina Burana - Vocal by Carl Orff, John Williams, Boston Pops Orchestra having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Prophecy | Howard Shore | D Minor | 1 | 7A | 178 BPM | ||
Devil's Dance (from "The Witches of Eastwick") | Boston Pops Orchestra, Keith Lockhart | C Minor | 3 | 5A | 62 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): X. In trutina (I am suspended between love and chastity) | John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker | D Major | 0 | 10B | 145 BPM | ||
The Sorcerer's Apprentice | Philharmonia Orchestra | D♭ Major | 2 | 3B | 130 BPM | ||
Romeo and Juliet, Suite No.2 from the ballet, Op.64b: 1. Montagues & Capulets | Minnesota Orchestra, Stanisław Skrowaczewski | A Minor | 1 | 8A | 108 BPM | ||
The Four Seasons: Winter, I. Allegro non molto | Academy of St. Martin in the Fields | F Minor | 2 | 4A | 77 BPM | ||
On Earth As It Is In Heaven | Ennio Morricone | D Major | 2 | 10B | 96 BPM | ||
Ecstacy of Gold from The Good, the Bad, and the Ugly | Ennio Morricone, Yo-Yo Ma, Roma Sinfonietta | A Minor | 4 | 8A | 96 BPM | ||
Main Title | Ramin Djawadi | F Minor | 6 | 4A | 170 BPM | ||
Scythian Suite, Op. 20 - "Ala and Lolly": II. The Enemy God and the Dance of the Spirits of Darkness | Sergei Prokofiev, Chicago Symphony Orchestra, Claudio Abbado | C Major | 3 | 8B | 118 BPM |
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