Kurt Weill, Ute Lemper, RIAS Kammerchor, John Mauceri made "Die Dreigroschenoper: Morität von Mackie Messer" available on January 1, 1988. The duration of Die Dreigroschenoper: Morität von Mackie Messer is about 3 minutes long, at 3:12. Based on our data, "Die Dreigroschenoper: Morität von Mackie Messer" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Weill: Ute Lemper sings Kurt Weill by Kurt Weill, Ute Lemper. The song's track number on the album is #3 out of 14 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Die Dreigroschenoper: Morität von Mackie Messer's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Die Dreigroschenoper: Morität von Mackie Messer by Kurt Weill, Ute Lemper, RIAS Kammerchor, John Mauceri has a tempo of 158 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Die Dreigroschenoper: Morität von Mackie Messer being at 158 BPM, the half-time would be 79 BPM with a double-time of 316 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
So oder so ist das Leben (Slowfox-Potpourri 1) - Remastered | Hildegard Knef | C Major | 4 | 8B | 85 BPM | ||
Amado Mio (Theme from Gilda Original Soundtrack) | Rita Hayworth | C Major | 5 | 8B | 131 BPM | ||
Gianni Schicchi: "O mio babbino caro" | Maria Callas | A♭ Major | 1 | 4B | 80 BPM | ||
Heimweh nach dem Kurfürstendamm | Hildegard Knef | C Major | 4 | 8B | 97 BPM | ||
Chasing Sheep Is Best Left To Shepherds - 2004 Digital Remaster | Michael Nyman | C Major | 4 | 8B | 203 BPM | ||
Bist du bei mir, BWV 508 (Arie) | Johann Sebastian Bach, Núria Rial, Julia Schröder | D Major | 1 | 10B | 92 BPM | ||
Voglio una casa | L'Arpeggiata, Christina Pluhar, Lucilla Galeazzi | E♭ Major | 3 | 5B | 116 BPM | ||
Winterreise, D. 911: No. 1, Gute Nacht | Franz Schubert, Thomas Quasthoff | B♭ Major | 1 | 6B | 86 BPM | ||
Matthäus-Passion: Erster Teil, 3. Choral Herzliebster Jesu, was hast du verbrochen | Johann Sebastian Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | B♭ Minor | 3 | 3A | 65 BPM | ||
Delibes: Lakmé, Act 1: "Dôme épais le jasmin à la rose s'assemble" (Lakmé, Mallika) | Léo Delibes, Alain Lombard, Mady Mesple, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre du Théâtre national de l'Opéra-Comique, Bernadette Antoine, Danielle Millet, Orchestre du Theatre National de IOpera-Comique | B Major | 1 | 1B | 135 BPM |
Section: 0.7613787651062012
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