Oboe Concerto in B Flat Major, Op. 7 No. 3: II. Adagio
London Harpsichord Ensemble, Sarah Francis
Albinoni Oboe Concertos
2:39 November 25, 2013
BPM
72
Key
G Minor
Camelot
6A

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Oboe Concerto in B Flat Major, Op. 7 No. 3: II. Adagio - London Harpsichord Ensemble, Sarah Francis Information

Acousticness
90%
Danceability
20%
Energy
15%
Instrumentalness
91%
Liveness
13%
Loudness
68%
Speechiness
4%
Valence
7%
Popularity
Loudness
-19.114 dB

Summary

"Oboe Concerto in B Flat Major, Op. 7 No. 3: II. Adagio" by London Harpsichord Ensemble, Sarah Francis was released on November 25, 2013. The duration of Oboe Concerto in B Flat Major, Op. 7 No. 3: II. Adagio is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Oboe Concerto in B Flat Major, Op. 7 No. 3: II. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 24 in Albinoni Oboe Concertos by London Harpsichord Ensemble, Sarah Francis. Oboe Concerto in B Flat Major, Op. 7 No. 3: II. Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Oboe Concerto in B Flat Major, Op. 7 No. 3: II. Adagio BPM

The tempo marking of Oboe Concerto in B Flat Major, Op. 7 No. 3: II. Adagio by London Harpsichord Ensemble, Sarah Francis is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Oboe Concerto in B Flat Major, Op. 7 No. 3: II. Adagio Key

This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7636477947235107

End: 0.7667913436889648