"Oboe Concerto in B Flat Major, Op. 7 No. 3: II. Adagio" by London Harpsichord Ensemble, Sarah Francis was released on November 25, 2013. The duration of Oboe Concerto in B Flat Major, Op. 7 No. 3: II. Adagio is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Oboe Concerto in B Flat Major, Op. 7 No. 3: II. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 24 in Albinoni Oboe Concertos by London Harpsichord Ensemble, Sarah Francis. Oboe Concerto in B Flat Major, Op. 7 No. 3: II. Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Oboe Concerto in B Flat Major, Op. 7 No. 3: II. Adagio by London Harpsichord Ensemble, Sarah Francis is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Музыка На Воде. Сюита №3 Соль Мажор: No. 22 | Ленинградский Камерный Оркестр | G Major | 2 | 9B | 71 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 1: II. Presto | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 130 BPM | ||
Varie partite del passemezo, ciaccona, capricii, e passagalii, Op. 7: Ciaccona | Giovanni Battista Vitali, London Baroque | E Major | 1 | 12B | 101 BPM | ||
Concerto Grosso No.9 in A minor after "Lessons for the Harpsichord" by Domenico Scarlatti: 2. Con spirito - Andante - Con spirito | Charles Avison, The English Concert, Trevor Pinnock | A♭ Minor | 2 | 1A | 122 BPM | ||
Vivaldi: Flute Concerto in A Minor, RV 440: III. Allegro | Antonio Vivaldi, Emmanuel Pahud, Australian Chamber Orchestra, Richard Tognetti | A Minor | 1 | 8A | 133 BPM | ||
Oboe Concerto No. 3 in G Minor, HWV 287: IV. Allegro | London Harpsichord Ensemble, Sarah Francis | F Major | 2 | 7B | 111 BPM | ||
Flute Concerto No. 3 in C Major: III. Allegro assai | Frederick the Great, Konrad Hünteler, Cappella Coloniensis, Ulf Bjorlin | B Major | 1 | 1B | 129 BPM | ||
Concerto I in D Major: I. Grave - Allegro - Adagio | Francesco Geminiani, Academy of Ancient Music, Andrew Manze | D♭ Major | 1 | 3B | 75 BPM | ||
Violin Sonata in C Major, Wq. 73, H. 504: II. Andante | Carl Philipp Emanuel Bach, Georg Kallweit, Christine Schornsheim | A♭ Minor | 1 | 1A | 88 BPM | ||
Concerto for 2 Oboes in A Minor, RV 536: I. (Allegro) | Antonio Vivaldi, Stefan Schilli, Diethelm Jonas, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | C Major | 2 | 8B | 125 BPM |
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