- BPM
- 81
- Key
- F Major
- Camelot
- 7B
Libera Me - Lynne Dawson Information
- Acousticness
- 95%
- Danceability
- 16%
- Energy
- 25%
- Instrumentalness
- 0%
- Liveness
- 10%
- Loudness
- 75%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 9%
- Loudness
- -15.12 dB
Summary
"Libera Me" by Lynne Dawson was released on January 8, 2006. Libera Me is about six minutes long, preciously at 6:27, making this song fairly long compared to other songs. There are a total of 16 in the song's album "The Queen". In this album, this song's track order is #16. Libera Me is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Libera Me BPM
With Libera Me by Lynne Dawson having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
Libera Me Key
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Concerto a 5 in D minor, Op.9, No.2 for Oboe, Strings, and Continuo: 2. Adagio | Tomaso Albinoni, Frank de Bruine, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 2 | 3B | 108 BPM | |
 | Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): I. Adagio | Johann Gottlieb Goldberg, London Baroque | D Major | 0 | 10B | 87 BPM | |
 | L'Allegro, il Penseroso ed il Moderato (pastoral ode), II. Il Penseroso: 21a. Air: Sometimes let gorgeous Tragedy | Charles Jennens, George Frideric Handel, Christine Brandes, Lynne Dawson, David Daniels, Ian Bostridge, Alastair Miles, Orchestre de chambre de Paris, John Nelson, The Bach Choir | F♯ Minor | 1 | 11A | 99 BPM | |
 | Dido and Aeneas / Act 1: "See, your royal guest appears" - "Cupid only throws the dart" | Henry Purcell, The English Concert, Trevor Pinnock, Lynne Dawson, Stephen Varcoe, Anne Sofie von Otter, The English Concert Choir | E♭ Minor | 1 | 2A | 110 BPM | |
 | Sant'Agnese: Vaga rosa (Aria) | Bernardo Pasquini, Núria Rial | D♭ Minor | 0 | 12A | 77 BPM | |
 | Dido and Aeneas / Act 3: "Thy hand, Belinda...When I am laid in earth" | Henry Purcell, Carolyn Watkinson, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 2 | 3B | 176 BPM | |
 | Monteverdi: L'Orfeo, SV 318, Act 1: "Rosa del Ciel" (Euridice, Orfeo) | Alessandro Striggio, Claudio Monteverdi, Philippe Jaroussky, Emőke Baráth, Diego Fasolis, I Barocchisti | D♭ Minor | 1 | 12A | 108 BPM | |
 | Isis Opera In 5 Acts With Prologue / Prologue: C'est lui dont les dieux ont fait choix | Jean-Baptiste Lully, Ex Tempore, Musica Antiqua Köln, Reinhard Goebel | B Major | 3 | 1B | 93 BPM | |
 | Pergolesi: Confitebor: VII. Sicut erat | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | B Major | 3 | 1B | 69 BPM | |
 | Jephtha, HWV 70 / Act 3: "My faithful Hamor, may that Providence...All that is in Hamor mine" | George Frideric Handel, Nigel Robson, Lynne Dawson, Michael Chance, Anne Sofie von Otter, Stephen Varcoe, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 10 | 3B | 186 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.3205845355987549
End: 1.3239662647247314