Josef Strauss, Daniel Barenboim, Wiener Philharmoniker made "Ohne Sorgen, Polka schnell, Op. 271" available on January 7, 2014. With Ohne Sorgen, Polka schnell, Op. 271 being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "New Year's Concert 2014 / Neujahrskonzert 2014". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. In terms of popularity, Ohne Sorgen, Polka schnell, Op. 271 is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Ohne Sorgen, Polka schnell, Op. 271 by Josef Strauss, Daniel Barenboim, Wiener Philharmoniker having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
美しく青きドナウ | ウィーンフィルハーモニー管弦楽団 | D Minor | 3 | 7A | 88 BPM | ||
Wien bleibt Wien, Marsch | Johann Schrammel, Budapest Strauss Ensemble, Istvan Bogar | D Major | 4 | 10B | 122 BPM | ||
La traviata / Act 3: Prelude | Giuseppe Verdi, Wiener Philharmoniker, Carlo Rizzi | A♭ Major | 0 | 4B | 96 BPM | ||
Verdi: Aida, Act 2: Triumphal March | Giuseppe Verdi, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Zubin Mehta, Orchestra Del Teatro Dell'Opera Di Roma | F Minor | 3 | 4A | 144 BPM | ||
Gaite Parisienne (after J. Offenbach): 23. Barcarolle | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | D Major | 0 | 10B | 113 BPM | ||
Fatinitza: March | Franz von Suppé, Slovak Philharmonic, Richard Hayman | A♭ Minor | 6 | 1A | 170 BPM | ||
Schönfeld-Marsch, Op. 422 | Carl Michael Ziehrer, Christian Thielemann, Wiener Philharmoniker | D Major | 3 | 10B | 120 BPM | ||
Josef Strauss: Moulinet OP. 57 | Wiener Philharmoniker, Clemens Krauss | A♭ Minor | 2 | 1A | 85 BPM | ||
Radetzky March Op. 228 | Riccardo Muti, Wiener Philharmoniker | A Major | 5 | 11B | 106 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.7 in E flat major BWV852 | Daniel Barenboim | E♭ Major | 1 | 5B | 135 BPM |
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