Syncopation by Fritz Kreisler, Joshua Bell, Paul Coker

Song Analysis

Audio information that is featured on Syncopation by Fritz Kreisler, Joshua Bell, Paul Coker.

Acousticness

99%

Energy

11%

Liveness

8%

Speechiness

5%

Danceability

49%

Instrumentalness

39%

Loudness

65%

Valence

44%

Harmonic Matches

Find songs that harmonically matches to Syncopation by Fritz Kreisler, Joshua Bell, Paul Coker. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.

Track Artist Key Energy Camelot BPM
3 Suites for Cello, Op.131c / Suite No.1 in G: 1st movement: Praeludium by Max Reger, Keith Harvey, Ivo Van Der Werff, Simon Marlow3 Suites for Cello, Op.131c / Suite No.1 in G: 1st movement: PraeludiumMax Reger, Keith Harvey, Ivo Van Der Werff, Simon MarlowG Major19B85
Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico by Max Bruch, Cho-Liang Lin, Leonard Slatkin, Chicago Symphony OrchestraViolin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energicoMax Bruch, Cho-Liang Lin, Leonard Slatkin, Chicago Symphony OrchestraG Major19B97
Concerto for Violin & Orchestra, Op.14: 1. Allegro by Samuel Barber, Gil Shaham, London Symphony Orchestra, André PrevinConcerto for Violin & Orchestra, Op.14: 1. AllegroSamuel Barber, Gil Shaham, London Symphony Orchestra, André PrevinG Major29B92
Introduction and Tarantella, Op. 43 by Pablo de Sarasate, Joshua Bell, Nigel HessIntroduction and Tarantella, Op. 43Pablo de Sarasate, Joshua Bell, Nigel HessG Major19B106
Lullaby for String Quartet by George Gershwin, Alexander String QuartetLullaby for String QuartetGeorge Gershwin, Alexander String QuartetG Major19B96
Kreisler: Schön Rosmarin by Fritz Kreisler, Itzhak PerlmanKreisler: Schön RosmarinFritz Kreisler, Itzhak PerlmanG Major29B117
Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) by Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville MarrinerViolin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico)Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville MarrinerG Major29B91
Suite populaire espagnole (1990 Digital Remaster): Cancion by Itzhak Perlman, Samuel SandersSuite populaire espagnole (1990 Digital Remaster): CancionItzhak Perlman, Samuel SandersG Major19B101
Sarasate: Introduction et Tarantelle, Op. 43 by Pablo de Sarasate, Itzhak Perlman, Abbey Road EnsembleSarasate: Introduction et Tarantelle, Op. 43Pablo de Sarasate, Itzhak Perlman, Abbey Road EnsembleG Major29B117
2 Mazurkas Op. 19 (1995 Digital Remaster): No.1 Obertass by Henryk Wieniawski, Itzhak Perlman, Samuel Sanders2 Mazurkas Op. 19 (1995 Digital Remaster): No.1 ObertassHenryk Wieniawski, Itzhak Perlman, Samuel SandersG Major29B107
Schön Rosmarin by Fritz Kreisler, Ray Chen, Julien QuentinSchön RosmarinFritz Kreisler, Ray Chen, Julien QuentinG Major29B104
Five Pieces For Two Violins and Piano: I. Prelude by Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar GolanFive Pieces For Two Violins and Piano: I. PreludeDmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar GolanG Major09B85
Triakontameron: No. 11. Alt-Wien (arr. for violin and piano) by Jascha Heifetz, Leopold Godowsky, Vilmos Szabadi, Márta GulyásTriakontameron: No. 11. Alt-Wien (arr. for violin and piano)Jascha Heifetz, Leopold Godowsky, Vilmos Szabadi, Márta GulyásG Major19B90
Double Concerto for Clarinet, Viola and Orchestra in E Minor, Op. 88: II. Allegro moderato by Max Bruch, Alfred Scholz, Sinfonie Orchester Des Sudwestfunks Baden-BadenDouble Concerto for Clarinet, Viola and Orchestra in E Minor, Op. 88: II. Allegro moderatoMax Bruch, Alfred Scholz, Sinfonie Orchester Des Sudwestfunks Baden-BadenG Major19B100
Carnival of the Animals, R. 125: The Swan by Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo MaCarnival of the Animals, R. 125: The SwanCamille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo MaG Major09B118
Schön Rosmarin by Fritz Kreisler, Anne-Sophie Mutter, Lambert OrkisSchön RosmarinFritz Kreisler, Anne-Sophie Mutter, Lambert OrkisG Major19B102
Sonata for 2 Violins, Op.56: I. Andante cantabile by Itzhak Perlman, Pinchas ZukermanSonata for 2 Violins, Op.56: I. Andante cantabileItzhak Perlman, Pinchas ZukermanG Major09B98
Violin Concerto No. 1 in G Minor, Op. 26: 3. Finale (Allegro energico) by Max Bruch, Ray Chen, London Philharmonic Orchestra, Robert TrevinoViolin Concerto No. 1 in G Minor, Op. 26: 3. Finale (Allegro energico)Max Bruch, Ray Chen, London Philharmonic Orchestra, Robert TrevinoG Major39B68
Sonata for Solo Cello, Op.8: 2. Adagio (Con gran espressione) by Zoltán Kodály, Zara NelsovaSonata for Solo Cello, Op.8: 2. Adagio (Con gran espressione)Zoltán Kodály, Zara NelsovaG Major19B93
Sarasate: Introduction & Tarantelle, Op. 43 by Pablo de Sarasate, Maxim Vengerov, Ian BrownSarasate: Introduction & Tarantelle, Op. 43Pablo de Sarasate, Maxim Vengerov, Ian BrownG Major29B114
Schön Rosmarin by Fritz Kreisler, Joshua Bell, Paul CokerSchön RosmarinFritz Kreisler, Joshua Bell, Paul CokerG Major19B107
Syncopation by Fritz Kreisler, Ray Chen, Julien QuentinSyncopationFritz Kreisler, Ray Chen, Julien QuentinG Major19B133

Syncopation by Fritz Kreisler, Joshua Bell, Paul Coker Information

This song is track #19 in The Kreisler Album by Fritz Kreisler, Joshua Bell, Paul Coker, which has a total of 19 tracks. The duration of this track is 1:52 and was released on January 1, 1996. As of now, this track is currently not as popular as other songs out there. Syncopation doesn't provide as much energy as other songs but, this track can still be danceable to some people.

Syncopation BPM

Syncopation has a BPM of 83. Since this track has a tempo of 83, the tempo markings of this song would be Andante (at a walking pace). Overall, we believe that this song has a slow tempo.

Syncopation Key

The key of Syncopation is G Major. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

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