"Violin Sonata No. 2 in A Minor, BWV 1003: III. Andante (Arr. Y. Kondonassis)" by Johann Sebastian Bach, Yolanda Kondonassis was released on November 21, 2023. With this song being about 5 minutes long, at 5:24, "Violin Sonata No. 2 in A Minor, BWV 1003: III. Andante (Arr. Y. Kondonassis)" by Johann Sebastian Bach, Yolanda Kondonassis is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Winter Classical by Various Artists. The song's track number on the album is #42 out of 91 tracks. Based on our data, United States was the country where this track was produced or recorded. Violin Sonata No. 2 in A Minor, BWV 1003: III. Andante (Arr. Y. Kondonassis) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Violin Sonata No. 2 in A Minor, BWV 1003: III. Andante (Arr. Y. Kondonassis) by Johann Sebastian Bach, Yolanda Kondonassis has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Violin Sonata No. 2 in A Minor, BWV 1003: III. Andante (Arr. Y. Kondonassis) being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio Sonata No. 1 in A Minor: II. Fuga | William Boyce, Simon Standage, Collegium Musicum 90 | A♭ Minor | 1 | 1A | 81 BPM | ||
Viola da gamba Sonata in G Major, BWV 1027 (Arr. for Cello & Piano): I. Adagio | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | D Major | 1 | 10B | 91 BPM | ||
Suite From Abdelzar: I. Rondeau | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 101 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Schumann: Davidsbündlertänze, Op. 6, Heft II: No. 14, Zart und singend | Robert Schumann, Jonathan Biss | E♭ Major | 0 | 5B | 135 BPM | ||
Violin Sonata No. 5 in F Major, Op. 24 "Spring": I. Allegro | Ludwig van Beethoven, Gidon Kremer, Martha Argerich | F Major | 1 | 7B | 147 BPM | ||
Bach, JS: Concerto for 3 Keyboards in D Minor, BWV 1063: II. Alla siciliana | Johann Sebastian Bach, Michel Dalberto, Anne Queffélec, Pascal Devoyon, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | D♭ Major | 1 | 3B | 121 BPM | ||
Violin Concerto No. 2 In E Major, BWV 1042: II. Adagio | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | D♭ Minor | 1 | 12A | 99 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.12 in F minor BWV857 | Daniel Barenboim | F Minor | 1 | 4A | 71 BPM | ||
Suite en ré: Les niais de Sologne | Jean-Philippe Rameau, Natacha Kudritskaya | E Major | 2 | 12B | 103 BPM |