- BPM
- 143
- Key
- D Major
- Camelot
- 10B
Konzert Nach Vivaldi In A Minor, BWV 593: II. Adagio - Ton Koopman Information
- Acousticness
- 99%
- Danceability
- 14%
- Energy
- 1%
- Instrumentalness
- 97%
- Liveness
- 15%
- Loudness
- 39%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 10%
- Loudness
- -36.527 dB
Summary
"Konzert Nach Vivaldi In A Minor, BWV 593: II. Adagio" by Ton Koopman was released on February 6, 1988. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 12 in Bach: Orgelwerke II (Organ Works II) by Ton Koopman. Based on our statistics, Konzert Nach Vivaldi In A Minor, BWV 593: II. Adagio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Konzert Nach Vivaldi In A Minor, BWV 593: II. Adagio BPM
The tempo marking of Konzert Nach Vivaldi In A Minor, BWV 593: II. Adagio by Ton Koopman is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
Konzert Nach Vivaldi In A Minor, BWV 593: II. Adagio Key
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Noel Symphony No. 4 in D Minor: I. Une jeune pucelle: Moderato | Michel Corrette, Arion Trio | D♭ Minor | 1 | 12A | 106 BPM | |
 | Concerto à 5 in C Major for Oboe and Strings, Op. 9 No. 5: I. Allegro | Tomaso Albinoni, Stefan Schilli, Stuttgart Chamber Orchestra, Nicol Matt | C Major | 3 | 8B | 111 BPM | |
 | Torelli: Trumpet Concerto in D Major: III. Allegro | Giuseppe Torelli, Alison Balsom, Deutsche Kammerphilharmonie Bremen | D Major | 3 | 10B | 111 BPM | |
 | Oboe Concerto in D Minor, Op. 8, No. 9, RV 454: III. Allegro | Antonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | C Major | 2 | 8B | 125 BPM | |
 | Noli, ò cara, te adorantis from Juditha Triumphans, RV 644 | Antonio Vivaldi, Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman | B Major | 1 | 1B | 127 BPM | |
 | Concerto Grosso in D Minor, Op. 3, No. 4: II. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | D Minor | 4 | 7A | 105 BPM | |
 | Handel: Organ Concerto in F Major, Op. 4 No. 4, HWV 292: II. Andante | George Frideric Handel, Valda Aveling, Menuhin Festival Orchestra, Simon Preston, Yehudi Menuhin | A Major | 1 | 11B | 118 BPM | |
 | Symphony No. 4 in F Major, Op. 2, "Shepherd's Lottery": II. Vivace ma non troppo | William Boyce, Aradia Ensemble, Kevin Mallon | E Major | 0 | 12B | 118 BPM | |
 | Eilt zu, ruft laut, ihr längst verlangten Boten, TWV 1:415: No. 2, Was macht dein göttlich wahrer Mund | Georg Philipp Telemann, Hanna Herfurtner, Carola Gunther, Mirko Ludwig, Fabian Strotmann, Peter Kooij, Die Kölner Akademie, Michael Alexander Willens | F♯ Major | 1 | 2B | 95 BPM | |
 | Sinfonia in A Major: II. Andante | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Minor | 1 | 8A | 94 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6267364025115967
End: 0.6308591365814209