"Falstaff: Sul fil d´un soffio etesio" by Mirella Freni, Munchener Rundfunkorchester, Ino Savini was released on April 11, 2012. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Mirella Freni's "Mirella Freni - The first Recitals" album is number 4 out of 13. Based on our statistics, Falstaff: Sul fil d´un soffio etesio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Falstaff: Sul fil d´un soffio etesio by Mirella Freni, Munchener Rundfunkorchester, Ino Savini to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen / Act 3: "Je dis que rien ne m'épouvante" | Georges Bizet, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | E♭ Major | 1 | 5B | 128 BPM | ||
Tannhäuser - Paris Version / Act 3: "Beglückt darf nun dich, o Heimat" (Pilgrims Chorus) | Richard Wagner, Chorus of the Royal Opera House, Covent Garden, Norbert Balatsch, Philharmonia Orchestra, Giuseppe Sinopoli | E♭ Major | 1 | 5B | 71 BPM | ||
L'amico Fritz / Act 2: "Suzel, buon di" | Pietro Mascagni, Cecilia Bartoli, Luciano Pavarotti, London Voices, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | A Major | 1 | 11B | 71 BPM | ||
Don Giovanni / Act 1: "Fin ch'han dal vino" | Wolfgang Amadeus Mozart, Tom Krause, Vienna Haydn Orchestra, István Kertész | F Major | 6 | 7B | 118 BPM | ||
Cavalleria rusticana: "Mamma, quel vino è generoso...Turiddu?! Che vuoi dire?" | Pietro Mascagni, Luciano Pavarotti, Ida Bormida, Piero Cappuccilli, Julia Varady, Carmen Gonzales, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | E♭ Major | 3 | 5B | 83 BPM | ||
Don Giovanni, K.527 / Act 1: "Madamina, il catalogo è questo" | Wolfgang Amadeus Mozart, Bryn Terfel, Chamber Orchestra of Europe, Claudio Abbado | D Major | 2 | 10B | 90 BPM | ||
Carmen (1997 - Remaster), Act I: Duo: Parle-moi de ma mère! | Georges Bizet, Nicolai Gedda, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | C Major | 1 | 8B | 171 BPM | ||
Cessato il suon dell'Armi (1887) | Giacomo Puccini, Joseph Calleja, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | A Major | 5 | 11B | 113 BPM | ||
Turandot / Act 3: "Tu che di gel sei cinta" | Giacomo Puccini, Renata Tebaldi, Mario del Monaco, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | E♭ Minor | 2 | 2A | 89 BPM | ||
La fille du régiment / Act 1: La la la ...chacum le sait, chacun le dit | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Spiro Malas, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 2 | 7B | 180 BPM |
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