Wolfgang Amadeus Mozart, Dawn Upshaw, Ferruccio Furlanetto, Metropolitan Opera Orchestra, James Levine's 'Le nozze di Figaro, K.492 / Act 1: "Or bene, ascolta, e taci"' came out on January 1, 1991. The duration of Le nozze di Figaro, K.492 / Act 1: "Or bene, ascolta, e taci" is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Le nozze di Figaro, K.492 / Act 1: "Or bene, ascolta, e taci"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Metropolitan Opera Orchestra, James Levine's "Mozart: Le Nozze di Figaro" album is number 5 out of 81. Le nozze di Figaro, K.492 / Act 1: "Or bene, ascolta, e taci" is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Le nozze di Figaro, K.492 / Act 1: "Or bene, ascolta, e taci" by Wolfgang Amadeus Mozart, Dawn Upshaw, Ferruccio Furlanetto, Metropolitan Opera Orchestra, James Levine to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Abduction from the Seraglio, K.384: Act II, Aria: "Tortures Unrelenting" | Rundfunkorchester des Südwestfunks Baden-Baden | C Major | 2 | 8B | 113 BPM | ||
Missa brevis No. 11 in C Major, K. 258 "Spaur": V. Benedictus | Wolfgang Amadeus Mozart, Katharina Konradi, Sarah Romberger, Martin Mitterrutzner, Mikhail Timoshenko, WDR Rundfunkchor Köln, Kolner Kammerorchester, Christoph Poppen | F Major | 2 | 7B | 78 BPM | ||
Piano Sonata No. 16 in C Major, K. 545 "Sonata facile": I. Allegro | Lang Lang | C Major | 2 | 8B | 120 BPM | ||
Mysliveček: L'Olimpiade: "Misero me, che veggo! " (Megacle) | Josef Mysliveček, Vaclav Luks, Raffaella Milanesi | B♭ Major | 1 | 6B | 140 BPM | ||
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM | ||
La donne è mobile from Rigoletto - Vocal | Giuseppe Verdi, Emil Cooper, Metropolitan Opera Orchestra | F♯ Major | 1 | 2B | 0 BPM | ||
Der Stein der Weisen, Act I: Dialogue (6) | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Alan Ewing, Kevin Deas, Jane Giering-De Haan | E♭ Major | 2 | 5B | 77 BPM | ||
La Cenerentola / Act 1: Date lor mezzo scudo | Gioachino Rossini, Fernanda Costa, Cecilia Bartoli, Michele Pertusi, Gloria Banditelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | D Minor | 0 | 7A | 106 BPM | ||
La Cenerentola / Act 2: Ah, signor, s'è ver che in petto | Gioachino Rossini, Cecilia Bartoli, Alessandro Corbelli, William Matteuzzi, Fernanda Costa, Gloria Banditelli, Enzo Dara, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Major | 2 | 11B | 139 BPM | ||
Così fan tutte, K. 588 / Act I: "Al fato dan legge" | Wolfgang Amadeus Mozart, Rolando Villazón, Adam Plachetka, Chamber Orchestra of Europe, Yannick Nézet-Séguin | E♭ Major | 3 | 5B | 132 BPM |
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