After You've Gone (with The Gene Krupa Orchestra feat. Anita O'Day) - Roy Eldridge, Anita O'Day, Gene Krupa Orchestra Information

Roy Eldridge, Anita O'Day, Gene Krupa Orchestra made "After You've Gone (with The Gene Krupa Orchestra feat. Anita O'Day)" available on January 30, 1990. The duration of After You've Gone (with The Gene Krupa Orchestra feat. Anita O'Day) is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. After You've Gone (with The Gene Krupa Orchestra feat. Anita O'Day)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Uptown (with The Gene Krupa Orchestra feat. Anita O'Day)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. After You've Gone (with The Gene Krupa Orchestra feat. Anita O'Day) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

After You've Gone (with The Gene Krupa Orchestra feat. Anita O'Day) BPM

With After You've Gone (with The Gene Krupa Orchestra feat. Anita O'Day) by Roy Eldridge, Anita O'Day, Gene Krupa Orchestra having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

After You've Gone (with The Gene Krupa Orchestra feat. Anita O'Day) Key

This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.