"Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.6 in D minor BWV851" by Daniel Barenboim was released on 2004. The duration of Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.6 in D minor BWV851 is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.6 in D minor BWV851's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 96 in Bach, JS : Well-Tempered Clavier Books 1 & 2 by Daniel Barenboim. Based on our statistics, Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.6 in D minor BWV851's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.6 in D minor BWV851 by Daniel Barenboim is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
Les Tricoteuses (23e ordre) | François Couperin, Alexandre Tharaud | F Major | 3 | 7B | 169 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : III. Grave | Arcangelo Corelli, Ludovit Kanta, Daniela Ruso, Anna Holbling, Quido Holbling, Capella Istropolitana | F Minor | 1 | 4A | 108 BPM | ||
Concerto a 5 in C Major, Op. 9, No. 9: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 107 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM | ||
Concerto a 5 in C Major, Op. 9, No. 9: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 2 | 8A | 66 BPM | ||
Leclair: Sonata for 2 Violins in E Minor, Op. 3 No. 5: III. Presto | Jean-Marie Leclair, Itzhak Perlman | G Major | 3 | 9B | 126 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.17 in A flat major BWV862 | Daniel Barenboim | A♭ Major | 1 | 4B | 97 BPM | ||
Gondellied (Barcarolle) in A major (1837): Allegretto non troppo, MWV U 136 | Felix Mendelssohn, Daniel Barenboim | A Major | 0 | 11B | 72 BPM | ||
Pygmalion: Overture | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | E♭ Minor | 1 | 2A | 136 BPM |
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