Eric Schmidt, Jonathan Rosenberg made "Kapitel 33.2 & Kapitel 34.1 - Wie Google tickt - How Google Works" available on January 8, 2015. The duration of Kapitel 33.2 & Kapitel 34.1 - Wie Google tickt - How Google Works is about 3 minutes long, at 3:20. Based on our data, "Kapitel 33.2 & Kapitel 34.1 - Wie Google tickt - How Google Works" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #43 out of 137 tracks. In terms of popularity, Kapitel 33.2 & Kapitel 34.1 - Wie Google tickt - How Google Works is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Kapitel 33.2 & Kapitel 34.1 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg has a tempo of 95 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Kapitel 33.2 & Kapitel 34.1 - Wie Google tickt - How Google Works being at 95 BPM, the half-time would be 48 BPM with a double-time of 190 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 1/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Misatango, Misa a Buenos Aires: V. Quoniam tu solus sanctus | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Major | 3 | 8B | 89 BPM | ||
Bach, JS: Vergnügte Ruh, beliebte Seelenlust, BWV 170: No. 1, Aria. "Vergnügte Ruh beliebte Seelenlust" | Johann Sebastian Bach, Monica Groop, Juha Kangas, Ostrobothnian Chamber Orchestra | D Major | 1 | 10B | 75 BPM | ||
Handel: Solomon, HWV 67, Act 3: Air. "Ev'ry Sight These Eyes Behold" (Queen of Sheba) | George Frideric Handel, Kathleen Battle, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 2 | 7B | 118 BPM | ||
HFTEPX | KNOXVILLETRACKZ | D Minor | 0 | 7A | 65 BPM | ||
Si mes vers avaient des ailes | Reynaldo Hahn, Ailyn Perez, Iain Burnside | E Major | 1 | 12B | 78 BPM | ||
Kapitel 78.2 & Kapitel 79.1 - Wie Google tickt - How Google Works | Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth | D♭ Major | 3 | 3B | 77 BPM | ||
Annelies (chamber version): V. Life in hiding | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | A Minor | 1 | 8A | 78 BPM | ||
11. Aria: So stehet ein Berg Gottes | Georg Anton Kreusser, Christoph Prégardien, Karsten Storck, Mainzer Domorchester | C Major | 2 | 8B | 125 BPM | ||
Tristan und Isolde, WWV 90 / Act 3: "Mild und leise wie er lächelt" (Isoldes Liebestod) | Richard Wagner, Jessye Norman, Wiener Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 89 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 3: Nur deiner harr ich, niemals Verlorne! (Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | F♯ Major | 1 | 2B | 89 BPM |
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