Artur Schnabel made "Concerto No. 2 in C Major for Two Pianos BWV1061" available on January 5, 2010. Since Concerto No. 2 in C Major for Two Pianos BWV1061 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 71 in the song's album "The Greatest Piano Works". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United States. In terms of popularity, Concerto No. 2 in C Major for Two Pianos BWV1061 is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Concerto No. 2 in C Major for Two Pianos BWV1061 by Artur Schnabel having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonatina in G Major: II. Allegro | Edward Elgar, Ashley Wass | G Major | 0 | 9B | 70 BPM | ||
Oboe Sonata, Op. 166: III. Molto allegro | Camille Saint-Saëns, Heinz Holliger, Anton Kernjak | E♭ Major | 0 | 5B | 66 BPM | ||
Piano Concerto No. 24 in C Minor, K. 491: III. Allegretto | Wolfgang Amadeus Mozart, Jenő Jandó, Concentus Hungaricus, Matyas Antal | A♭ Major | 1 | 4B | 136 BPM | ||
8 Gedichte, Op. 10, TrV 141: No. 8, Allerseelen (Arr. Reger) | Richard Strauss, Angela Hewitt | G Major | 2 | 9B | 115 BPM | ||
Piano Sonata in F Major, Op. 12: Allegro molto | Jean Sibelius, Håvard Gimse | C Major | 1 | 8B | 107 BPM | ||
Shostakovich: Concerto for Piano, Trumpet and String Orchestra No. 1 in C Minor, Op. 35: II. Lento | Dmitri Shostakovich, Elisabeth Leonskaja, Hugh Wolff, Saint Paul Chamber Orchestra | B♭ Major | 2 | 6B | 77 BPM | ||
Sonata No. 46, Hob. XVI:31: Sonata No. 46, Hob. XVI:31: III. Finale | Franz Joseph Haydn, Jean-Efflam Bavouzet | E Major | 2 | 12B | 75 BPM | ||
Grande Polonaise in E-Flat Major, Op. 21, J. 59 | Carl Maria von Weber, Michael Endres | E♭ Major | 1 | 5B | 107 BPM | ||
Piano Sonata: IV. Very Slow, Dreamily, Immersed in Contemplation, Unearthly | Artur Schnabel, Jenny Lin | D Minor | 0 | 7A | 139 BPM | ||
Klavierstück in A-Flat Major | Anton Webern, Jean-Jacques Dünki | A♭ Major | 0 | 4B | 75 BPM |
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