On May 9, 2008, the song "When We Were Trees, The Architect" was released by Giovanni Sollima, Julian Kuerti. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of We Were Trees by Giovanni Sollima. The song's track number on the album is #9 out of 13 tracks. In terms of popularity, When We Were Trees, The Architect is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since When We Were Trees, The Architect by Giovanni Sollima, Julian Kuerti has a tempo of 96 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With When We Were Trees, The Architect being at 96 BPM, the half-time would be 48 BPM with a double-time of 192 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Duos for Two Cellos, Op. 49 No. 1 in C Major: II. Andante | Jacques Offenbach, Giovanni Sollima, Andrea Noferini | G Major | 0 | 9B | 80 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
Cello Concerto in B Minor, Op. 104: III. Allegro moderato. Original Ending | Antonín Dvořák, Steven Isserlis, Daniel Harding, Mahler Chamber Orchestra | B Major | 0 | 1B | 77 BPM | ||
La dolcezza di una lacrima | Daniela Mastrandrea | D♭ Major | 1 | 3B | 69 BPM | ||
Saint-Saëns: Le Carnaval des animaux: XIII. Le Cygne | Camille Saint-Saëns, Jacqueline du Pré, Osian Ellis | A Minor | 0 | 8A | 63 BPM | ||
6 Miniatures (Arr. T. Batiashvili for Violin & Orchestra): No. 1, Mzkemsuri | Sulkhan Tsintsadze, Lisa Batiashvili, Ingolstadt Georgian Chamber Orchestra | D Minor | 3 | 7A | 76 BPM | ||
Suite for Viola & Orchestra, Group 1: I. Prelude. Allegro moderato | Ralph Vaughan Williams, Timothy Ridout, Jamie Phillips, Orchestre de Chambre de Lausanne | C Major | 1 | 8B | 76 BPM | ||
String Quartet in E-Flat Major, Op. 1 No. 0, Hob. II: 6: No. 3, Adagio | Joseph Haydn, Leipziger Streichquartett | C Major | 1 | 8B | 140 BPM | ||
String Quartet No. 1: II. Allegro con moto | Erwin Schulhoff, Orava Quartet | D♭ Minor | 0 | 12A | 115 BPM | ||
Sonata for Arpeggione and Keyboard in A Minor, D. 821: II. Adagio - Arr. for Harp and Cello by Anja Linder | Anja Linder, Julie Sévilla-Fraysse | C Minor | 0 | 5A | 93 BPM |
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