"Borodin: Prince Igor, Act II: Polovtsian Dances (Excerpt)" by Alexander Borodin, Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham was released on February 26, 2010. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 50 Best Classics, so we believe that "Borodin: Prince Igor, Act II: Polovtsian Dances (Excerpt)" is a single. Borodin: Prince Igor, Act II: Polovtsian Dances (Excerpt) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Borodin: Prince Igor, Act II: Polovtsian Dances (Excerpt) by Alexander Borodin, Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gymnopédie No. 1 in D Major: Lent et douloureux | Erik Satie, Charles Gerhardt | G Major | 1 | 9B | 63 BPM | ||
Strauss, R: 4 Letzte Lieder: No. 3, Beim Schlafengehen | Richard Strauss, Lucia Popp, London Philharmonic Orchestra, Klaus Tennstedt | D♭ Major | 1 | 3B | 100 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
Borodin: Prince Igor, Act II, Polovtsian Dances: Pt. 2, Wild Dance of the Men | Alexander Borodin, Sir Thomas Beecham, Royal Philharmonic Orchestra | F♯ Major | 9 | 2B | 125 BPM | ||
Hope Is the Thing with Feathers | Christopher Tin, Voces8, Royal Philharmonic Orchestra, Barnaby Smith | G Major | 1 | 9B | 71 BPM | ||
Handel: Serse, HWV 40, Act 1 Scene 1: No. 2, Arioso, "Ombra mai fù" (Serse) | George Frideric Handel, William Christie | E Major | 1 | 12B | 89 BPM | ||
La Traviata - Act. Iii - Addio Del Passato | Renata Scotto | A Minor | 1 | 8A | 72 BPM | ||
Cello Sonata in B Minor: I. Allegro | Alexander Borodin, Alexander Chaushian, Yevgeny Sudbin | D Minor | 0 | 7A | 75 BPM | ||
Coronation Ode, Op. 44: VI. Finale "Land of Hope and Glory" | Edward Elgar, Royal Choral Society, Andrew Davis, London Philharmonic Orchestra | G Major | 0 | 9B | 121 BPM | ||
Strauss, R: 8 Gedichte aus Letzte Blätter, Op. 10: No. 1, Zueignung (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | C Major | 2 | 8B | 81 BPM |
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