Slowakisches Kammerorchester, Bohdan Warchal made "Sinfonia da Caccia für vier Hörner, Streicher, Continuo in G Major: IV. Vivace" available on April 19, 2013. The duration of Sinfonia da Caccia für vier Hörner, Streicher, Continuo in G Major: IV. Vivace is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Sinfonia da Caccia für vier Hörner, Streicher, Continuo in G Major: IV. Vivace's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 11 in Classic for You: W. Mozart: Serenade für Bläser - L. Mozart: Sinfonia da Caccia by Various Artists. Based on our statistics, Sinfonia da Caccia für vier Hörner, Streicher, Continuo in G Major: IV. Vivace's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Sinfonia da Caccia für vier Hörner, Streicher, Continuo in G Major: IV. Vivace by Slowakisches Kammerorchester, Bohdan Warchal is Allegro (fast, quick, and bright), since this song has a tempo of 146 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 101 in D Major, Hob. I:101, "The Clock": II. Andante | Mozarteum Orchestra Salzburg | G Major | 1 | 9B | 81 BPM | ||
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Daniel Barenboim, Jacqueline du Pré, Philadelphia Orchestra | B♭ Major | 0 | 6B | 96 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
16 Waltzes, Op. 39 - For Piano Duet: 15. In A Major | Johannes Brahms, Aloys Kontarsky, Alfons Kontarsky | A Major | 0 | 11B | 87 BPM | ||
Carmen Suite No. 1: Intermezzo | Georges Bizet, London Symphony Orchestra, Sir Neville Marriner | E♭ Major | 0 | 5B | 89 BPM | ||
Idyl for Strings - Adagio | Leoš Janáček, Hanspeter Gmür, Camerata Romana | G Major | 1 | 9B | 105 BPM | ||
Appalachian Spring - 1945 Suite: 1. Very slowly | Aaron Copland, London Symphony Orchestra, Antal Doráti | A Major | 1 | 11B | 84 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Berceuse in B-Flat Major, Op. 38 | Camille Saint-Saëns, Fanny Clamagirand, Vanya Cohen | E Major | 1 | 12B | 71 BPM | ||
Tristesse | Frédéric Chopin, Slowakisches Kammerorchester, Bohdan Warchal | D Minor | 1 | 7A | 74 BPM |
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