"Symphony No. 3 in E flat, 'Eroica' Op. 55 (1989 Digital Remaster): I. Allegro con brio" by Rudolf Kempe, Berliner Philharmoniker was released on November 12, 2007. Symphony No. 3 in E flat, 'Eroica' Op. 55 (1989 Digital Remaster): I. Allegro con brio appears to be safe for all ages as it is not explicit. There are a total of 54 in the song's album "The Berlin Philharmonic on EMI". In this album, this song's track order is #2. Based on our statistics, Symphony No. 3 in E flat, 'Eroica' Op. 55 (1989 Digital Remaster): I. Allegro con brio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 3 in E flat, 'Eroica' Op. 55 (1989 Digital Remaster): I. Allegro con brio by Rudolf Kempe, Berliner Philharmoniker having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Carnaval des Animaux: Finale | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | D Minor | 3 | 7A | 101 BPM | ||
Lohengrin, WWV 75, Act III: In ferner Land, unnahbar euren Schritten (Lohengrin, The King, Men, Women) | Richard Wagner, Klaus Florian Vogt, Annette Dasch, Günther Groissböck, Robert Franke, Holger Marks, Marek Janowski, Rundfunk-Sinfonieorchester Berlin, Rundfunkchor Berlin | A Major | 1 | 11B | 63 BPM | ||
Symphony No. 2 in B-Flat major, D. 125: II. Andante | Franz Schubert, Günter Wand | A Minor | 3 | 8A | 168 BPM | ||
Wiener Bonbons, Walzer, Op. 307 | Johann Strauss II, Christian Thielemann, Wiener Philharmoniker | N/A | N/A | N/A | 0 BPM | ||
Le réveil d'Aurore | Natalie Dessay | B♭ Major | 2 | 6B | 144 BPM | ||
Die Reise um die Erde in 80 Tagen (Version Without Narration): Prelude | Franz von Suppé, Janacek Philharmonic Orchestra, Dario Salvi | F Major | 0 | 7B | 144 BPM | ||
Hänsel und Gretel: Der Hexenritt (Ausschnitt) | Marko Simsa | F Major | 2 | 7B | 74 BPM | ||
Grieg: Old Norwegian Romance with Variations, Op. 51: IX. Andante (Orchestral Version) | Edvard Grieg, Paavo Berglund, Bournemouth Symphony Orchestra | E♭ Minor | 1 | 2A | 110 BPM | ||
Pictures at an Exhibition: Ballet of the unhatched chicks | Mariss Jansons, Oslo Philharmonic Orchestra | D♭ Major | 1 | 3B | 176 BPM | ||
La Damnation de Faust, Op. 24, H. 111, Pt. I, Scène III: Marche hongroise (Hungarian March) | Hector Berlioz, London Symphony Orchestra, Sir Simon Rattle | A Major | 1 | 11B | 92 BPM |
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