"Adelson e Salvini / Act 1: "Dopo l'oscuro nembo"" by Vincenzo Bellini, Elina Garanca, Filarmonica del Teatro Comunale di Bologna, Roberto Abbado was released on January 1, 2009. Since Adelson e Salvini / Act 1: "Dopo l'oscuro nembo" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 21 in Bel Canto by Elina Garanca, Filarmonica del Teatro Comunale di Bologna, Roberto Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Adelson e Salvini / Act 1: "Dopo l'oscuro nembo" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Adelson e Salvini / Act 1: "Dopo l'oscuro nembo" by Vincenzo Bellini, Elina Garanca, Filarmonica del Teatro Comunale di Bologna, Roberto Abbado is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Sonnambula / Act 1: "Perdona, o mia diletta...Prendi: L'anel ti dono" | Vincenzo Bellini, Luciano Pavarotti, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 2 | 4B | 79 BPM | ||
Les Pêcheurs de perles, WD 13, Act I: Au fond du temple saint | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois, Florian Sempey, Les Cris De Paris | B♭ Major | 1 | 6B | 101 BPM | ||
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
Les Pêcheurs de perles: Je crois entendre encore (Nadir) | Georges Bizet, Nicolai Gedda, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | A Minor | 1 | 8A | 88 BPM | ||
Norma: Sinfonia | Vincenzo Bellini, Welsh National Opera Orchestra, Richard Bonynge | G Major | 1 | 9B | 140 BPM | ||
I Capuleti e i Montecchi / Act 1: "La tremenda ultrice spada" | Vincenzo Bellini, Elina Garanca, Ildebrando D'Arcangelo, Matthew Polenzani, Filarmonica del Teatro Comunale di Bologna, Roberto Abbado, Coro del Teatro Comunale di Bologna | G Major | 2 | 9B | 117 BPM | ||
Vissi D'arte - Tosca Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | ||
Tancredi / Act I: Andante | Gioachino Rossini, Filarmonica del Teatro Comunale di Bologna, Roberto Abbado | C Major | 0 | 8B | 170 BPM | ||
Samson et Dalila (1997 Digital Remaster): Mon coeur s'ouvre à ta voix. | Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise, Maria Callas | D♭ Major | 1 | 3B | 81 BPM |
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