"Ammerland" by Jacob de Haan, Banda Simfònica Roquetes-Nou Barris de Barcelona, Vicenç Navarro Mas was released on May 7, 2010. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 13 in Concerts En Directe by Banda Simfònica Roquetes-Nou Barris de Barcelona, Vicenç Navarro Mas. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Ammerland is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ammerland by Jacob de Haan, Banda Simfònica Roquetes-Nou Barris de Barcelona, Vicenç Navarro Mas is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
English Folk Song Suite: I. March (Seventeen Come Sunday) | Ralph Vaughan Williams, North Texas Wind Symphony, Eugene Migliaro | F Minor | 3 | 4A | 120 BPM | ||
Els segadors | Traditional, Banda Simfònica Roquetes-Nou Barris de Barcelona, Vicenç Navarro | A Minor | 3 | 8A | 69 BPM | ||
Das große Tor von Kiew | Modest Mussorgsky, Brass Band Fröschl Hall, Hannes Buchegger | E♭ Major | 3 | 5B | 74 BPM | ||
Candide Suite (arr. C. Grundman for wind band): I. The Best of All Possible Worlds | Leonard Bernstein, Clare Grundman, University of South Carolina Wind Ensemble, Scott Weiss | E♭ Major | 2 | 5B | 127 BPM | ||
First Suite in E-Flat Major, Op. 28 No. 1, H. 105: III. March | Gustav Holst, North Texas Wind Symphony, Eugene Migliaro Corporon | A♭ Major | 2 | 4B | 133 BPM | ||
Illumination | David Maslanka, Utah Wind Symphony, Scott Hagen | D♭ Major | 2 | 3B | 87 BPM | ||
Yorkshire Ballad (version for wind ensemble) | James Barnes, University of Texas at El Paso Wind Symphony, Ron Hufstader | E♭ Major | 1 | 5B | 81 BPM | ||
Sailor's Songs | Christian Male Choir Emmeloord, Jacob de Haan | E♭ Major | 3 | 5B | 123 BPM | ||
Lincolnshire Posy: VI. The Lost Lady Found | Percy Grainger, Dallas Wind Symphony, Jerry Junkin | A Minor | 1 | 8A | 94 BPM | ||
Jupiter Hymn from The Planets | Gustav Holst, Noteservice Wind Band, Reid Gilje | E♭ Major | 1 | 5B | 61 BPM |
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