Christiane Jaccottet made "Robin Is to the Greenwood Gone" available on February 1, 2016. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 22 in the song's album "Songs and Dances of John Dowland". In this album, this song's track order is #18. Robin Is to the Greenwood Gone is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Robin Is to the Greenwood Gone by Christiane Jaccottet having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pieces de clavecin en concerts: Concert No. 1 in C Minor: I. La Coulicam (Rondement) | Jean-Philippe Rameau, London Baroque | C Minor | 5 | 5A | 155 BPM | ||
Quartet in G Major: II. Allegro ma non troppo | Johann Gottlieb Janitsch, Berlin Baroque Compagney | F♯ Major | 1 | 2B | 144 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 2 in C minor, BWV 847 | Luc Beauséjour | B Minor | 4 | 10A | 85 BPM | ||
Concerto for 2 Cellos in G Minor, RV 531: III. Allegro | Antonio Vivaldi, Keith Hurvey, Raphael Wallfisch, City of London Sinfonia, Nicholas Kraemer | G Minor | 2 | 6A | 124 BPM | ||
Concerto Armonico No. 1 in G Major: Un poco andante | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E♭ Minor | 1 | 2A | 103 BPM | ||
Cello Sonata in E Minor, Op. 14, No. 5, RV 40: II. Allegro con spirito (Arr. L. Dallapiccola for cello and piano) | Antonio Vivaldi, Martin Rummel, Till Alexander Körber | E Minor | 3 | 9A | 114 BPM | ||
Troisième livre: La Forqueray | Jacques Duphly, Christophe Rousset | E Minor | 5 | 9A | 105 BPM | ||
Quartet in G Major: III. Vivace | Johann Gottlieb Janitsch, Berlin Baroque Compagney | F♯ Major | 1 | 2B | 139 BPM | ||
Concerto in C Major for Two Oboes and Strings, Op. 7 No. 2: I. Allegro | Tomaso Albinoni, Stefan Schilli, Giovanni Deangeli, Stuttgart Kammerorchester, Nicol Matt | C Major | 3 | 8B | 105 BPM | ||
Organ Concerto No. 1 in G Minor, Op. 4 No. 1, HWV 289: III. Adagio | George Frideric Handel, Simon Preston, The English Concert, Trevor Pinnock | C Major | 1 | 8B | 98 BPM |
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