Troy Cassar-Daley made "Bar Room Roses" available on February 27, 1997. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "True Believer". In this album, this song's track order is #11. Based on our statistics, Bar Room Roses's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Bar Room Roses by Troy Cassar-Daley having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
What If I Was Willing | Deep Creek Road | E Major | 7 | 12B | 117 BPM | ||
I Should Have Asked Her Faster | Johnny Brady | D Major | 7 | 10B | 93 BPM | ||
Road Train | Paul Costa | G Major | 4 | 9B | 115 BPM | ||
Eating up Bitumen | Travis Sinclair | B♭ Major | 3 | 6B | 140 BPM | ||
Cougarville | Buddy Goode | A Minor | 5 | 8A | 144 BPM | ||
Halfway Creek Timber Cutting Man | Troy Cassar-Daley | A Minor | 7 | 8A | 146 BPM | ||
Little Things | Kirsty Lee Akers | C Major | 7 | 8B | 186 BPM | ||
Every River | Brooks & Dunn | F♯ Major | 9 | 2B | 125 BPM | ||
The Man That Came Between Us (Was Me) | Aaron Tippin | G Major | 3 | 9B | 112 BPM | ||
What I Am Talkin' About | Steve Forde | F Major | 9 | 7B | 128 BPM |
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