"L'elisir d'amore / Act II: "Una furtiva lagrima" (Adapt. for Cello and Orchestra)" by Gaetano Donizetti, Camille Thomas, Brussels Philharmonic, Mathieu Herzog was released on June 27, 2020. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 44 in Donizetti: An Introduction by Gaetano Donizetti. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of L'elisir d'amore / Act II: "Una furtiva lagrima" (Adapt. for Cello and Orchestra) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'elisir d'amore / Act II: "Una furtiva lagrima" (Adapt. for Cello and Orchestra) by Gaetano Donizetti, Camille Thomas, Brussels Philharmonic, Mathieu Herzog is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nessun dorma (From "Turandot") | Giacomo Puccini, Gautier Capuçon, Johanna Malangré, Orchestre national de Bretagne | D♭ Minor | 0 | 12A | 112 BPM | ||
Cello Sonata in B-Flat Major, Op. 46: II. Andante sostenuto | Louise Farrenc, David Berlin, Benjamin Martin | E♭ Major | 0 | 5B | 116 BPM | ||
Symphony No. 3 in F Major Op. 90: 交響曲 第3番 ヘ長調 作品90 第3楽章 | Johannes Brahms, Paavo Järvi, Deutsche Kammerphilharmonie Bremen | G Major | 0 | 9B | 67 BPM | ||
La favorite, A. 58, Act III: Prelude | Gaetano Donizetti, Donizetti Opera Orchestra, Riccardo Frizza | B♭ Minor | 1 | 3A | 76 BPM | ||
Symphony No. 5 in C-Sharp Minor: IV. Adagietto (Arr. for Cello and Harp by Mischa Maisky) | Gustav Mahler, Mischa Maisky, Sophie Hallynck | F Major | 1 | 7B | 86 BPM | ||
Solveig's Song | Edvard Grieg, Yo-Yo Ma, Kathryn Stott | A Minor | 0 | 8A | 170 BPM | ||
Nisi Dominus, RV 608: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM | ||
Norma, Act I, Scene 1: Air de Norma "Casta Diva" (Arr. for Piano & Viola) | Vincenzo Bellini, Antoine Tamestit, Cédric Tiberghien | F Major | 0 | 7B | 141 BPM | ||
Sonata for Cello and Piano in G Minor, Op. 19: IV. Allegro mosso | Sergei Rachmaninoff, Camille Thomas, Beatrice Berrut | G Major | 1 | 9B | 139 BPM | ||
Pavane, Op. 50 (arr. H. Busser for cello and piano) | Gabriel Fauré, Henri Büsser, Ina-Esther Joost Ben-Sasson, Allan Sternfield | F♯ Minor | 1 | 11A | 149 BPM |
Section: 0.791696310043335
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